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Jane Austen Musica: Indici |
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Gli indici che seguono sono stati elaborati sulla base del catalogo contenuto in: Ian Gemmie & Derek McCulloch, Jane Austen's Music. The musical world of Jane Austen, Corda Music Publications, St Albens, Herts, 1996, dove sono elencati tutti i brani contenuti negli otto volumi di spartiti musicali custoditi presso il "Jane Austen Memorial Trust", con una numerazione che riporta il numero progressivo del volume e quello del brano.
Indice per numero
INDICE PER NUMERO
1:01 — Händel, Georg Friedrich — March in Judas Maccabeus — MS. 1:02 — Anonimo — Minuett — MS. 1:03 — Händel, Georg Friedrich — Minuett in Ariadne — MS. 1:04 — Boyce, William — Contented all day I will sit at your side [da The Chaplet] — MS. 1:05 — Boyce, William — The Ass / Push about the brisk bowl [da The Chaplet] — MS. 1:06 — Howard, Samuel — The Faithfull Shepherdess / At setting day and rising morn — MS. 1:07 — Felton, William — Air with variations — MS. 1:08 — Baildon, Joseph — Jockey and Jenny / Stern winter has left us ye trees are in bloom — MS. 1:09 — Arne, Thomas Augustine — Lotharia / Vainly now ye strive to charm me — MS. 1:10 — Händel, Georg Friedrich — Susana / Ask if yon damask rose be sweet — MS. 1:11 — Anonimo — Jockey / I'll sing to my lover all night and all day — MS. 1:12 — Boyce, William — Sinfonia da The Chaplet (secondo movimento] — MS. 1:13 — Felton, William — Composed by Mr Felton — MS. 1:14 — Anonimo — Love never more shall give me pain — MS. 1:15 — Händel, Georg Friedrich — Water Peice [da Water Music] — MS. 1:16 — Anonimo — On ye Tay's verdant banks a fair maid lay reclined — MS. 1:17 — Anonimo — When you ask me to sing — MS. 1:18 — Anonimo — When Apollo shall tune ye lyre — MS. 1:19 — Anonimo — Viens que j'examine cette mine — MS. 1:20 — Anonimo — Jessy or The Happy Pair / How blest my time has been — MS. 1:21 — Howard, Samuel — The Chace is o'er and on the plain — MS. 1:22 — Shield, John — Cross Purposes / Tom lover Mary passing well, but Mary she loves Harry — MS. 1:23 — Hasse, Johann Adolph — Brano non identificato — MS. 1:24 — Howard, Samuel — The Lass of St Osyth / At St Osyth by the Mill — MS. 1:25 — Händel, Georg Friedrich — Chastity thou Cherub bright [da Susanna] — MS. 1:26 — Anonimo — The Soger Laddie / My Soger Laddie is over the seas and he will bring gold and money to me — MS. 1:27 — Anonimo — The Young Gentleman's Retreat — MS. 1:28 — Hasse, Johann Adolph — Allegro [non identificato] — MS. 1:29 — Anonimo — Marshal Sax's Minuet — MS. 1:30 — Händel, Georg Friedrich — Ouverture dal Samson [sezione finale] — MS. 1:31 — Händel, Georg Friedrich — Concerto 2° [dal conc. per organo op. 4 n. 2] — MS. 1:32 — Anonimo — Senza titolo — MS. 1:33 — Anonimo — Minuett — MS. 1:34 — Anonimo — Senza titolo — MS. 1:35 — — — 2:01 — Le Moyne, Jean-Baptiste — Ouverture des Pretendus — MS. 2:02 — Anonimo — Fandango. É Los Gigangas from Thicknesse's Tour — MS. 2:03 — Dalayrac, Nicolas-Marie — Ouverture de Renaud d'Ast — MS. 2:04 — Anonimo — Nos Galen — MS. 2:05 — Nathaniel Gow — Mrs Hamilton of Princaitland's Strathspey — MS. 2:06 — Anonimo — The Austrian Grenadier's quick March — MS. 2:07 — Anonimo — Troop of the Coldstream Regiment of Guards — MS. 2:08 — Anonimo — The London March — MS. 2:09 — Anonimo — March by Mr Meyer — MS. 2:10 — Anonimo — Scotch Air — MS. 2:11 — Anonimo — The Austrian Retreat — MS. 2:12 — Mazzinghi, Joseph — Le Trois Sultanes — MS. 2:13 — Anonimo — Senza titolo — MS. 2:14 — Anonimo — Senza titolo — MS. 2:15 — Mazzinghi, Joseph — Sonata — MS. 2:16 — Anonimo — Waltz — MS. 2:17 — Anonimo — Waltz — MS. 2:18 — Mozart, Wolfgang Amadeus [da] — "The Duke of York's New March [da Le nozze di Figaro: "Non più andrai"]" — MS. 2:19 — Kelly, Michael — March in Blue Beard [da Blue Beard or Female Curiosity] — MS. 2:20 — Anonimo — German Waltz — MS. 2:21 — Anonimo — German Waltz — MS. 2:22 — Anonimo — Coolun with Variations — MS. 2:23 — King, Matthew Peter — Duke Of York's March — MS. 2:24 — Sterkel, Johann Franz Xaver — Sonata — MS. 2:25 — Anonimo — The Gloucester Waltz on Ly Caroline Lee— MS. 2:26 — Anonimo — La Rose - Cotillon — MS. 2:27 — Anonimo — The Perigordine — MS. 2:28 — Anonimo — To Fair Fidele's Grassy Tomb — MS. 2:29 — Leeves, Rev. William — Old Robin Gray — MS. 2:30 — Anonimo — March — MS. 2:31 — Corri, Domenico — My Lodging is on the could ground — MS. 2:32 — Powell, Thomas — My Love she's but a Lassie yet — MS. 2:33 — Corri, Domenico — My ain kind Dearie — MS. 2:34 — Anonimo — The Nightingale — MS. 2:35 — Anonimo — Polonese Russe — MS. 2:36 — Steibelt, Daniel — Steibelt's 18th Pot Pourri with variations. Air of Guardami un poco — MS. 2:37 — Arne, Thomas Augustine — Overture to Artaxerxes — MS. 3:01 — Anonimo — Canzonet of Alcanzor and Zayda / Tis in vain Alcanzor's spies surround me — MS. 3:02 — Haydn, Franz Joseph — A Ballad adapted to English words by T. Billington [dalla sonata per pf Hob. XVI/35] — MS. 3:03 — Carter, Charles Thomas — O Nanny / Oh! Nanny wilt thou fly from me — MS. 3:04 — Merry, Robert — The Irishman / The Turban'd Turk who scorns the world [da The Picture of Paris] — MS. 3:05 — Dibdin, Charles — The Joys of the Country / Let Bucks and let Bloods to praise London agree [da The Wags] — MS. 3:06 — Dibdin(?), Charles — Go and on my truth relying comfort to your cares apllying [da Lionel and Clarissa] — MS. 3:07 — Anonimo — Plus ne veux jamais m'engager — MS. 3:08 — Shield, William — Her hair is like a golden clue [da Robin Hood] — MS. 3:09 — Shield, William — Sweet transports gentle wishes go in vain — MS. 3:10 — Grétry, André‚ Ernest Modest — Air de Ballets de la Caravane [da La Caravane du Caire] — MS. 3:11 — Storace, Stephen — Of plighted faith [da The Siege of Belgrade] — MS. 3:12 — Dibdin, Charles — The Soldier's Adieu / Adieu, adieu my only life my honour calls me from thee [da The Wags] — MS. 3:13 — Anonimo — Air du Marquis de Tulipano — MS. 3:14 — Grétry(?), Andr‚ Ernest Modest — Sous un berceau de jasmin trouver une belle endormi — MS. 3:15 — Shield, William — From night till morn I take my glass — MS. 3:16 — Paisiello, Giovanni — Filles charmant, jeunes amantes daignez m'apprendre [da Le Roi Théodore à Venise] — MS. 3:17 — Atterbury, Luffman — Joan said to John — MS. 3:18 — Grétry, Andr‚ Ernest Modest — La danse n'est pas ce que j'aime mai c'est la fille [da Richard Coeuer de Lion] — MS. 3:19 — Mellish, Miss — My Phillida — MS. 3:20 — Anonimo — Chanson Bearnoise / Un troubadour bearnois les yeux inondés de larmes — MS. 3:21 — Meyer, Philippe-Jacques — Thy fatal shafts unerring move — MS. 3:22 — Dibdin, Charles — I that once was a ploughman a sailor now am — MS. 3:23 — Arnold, Samuel James — Think your tawny moor is true pretty Agnes [da The Mountaineers] — MS. 3:24 — Hook, James — The Wedding Day / What Virgin or Sheperd in Valley or Grove — MS. 3:25 — Lisle, Claude Joseph Rouget de — The Marseilles March — MS. 3:26 — Cimador(?), Giambattista — Arietta Veneziano — MS. 3:27 — Anonimo — Were I obliged to beg my bread and had not where to lay my head — MS. 3:28 — Shield, William — The Heaving of the Lead / For England when with favo'ring gale [da Hartford Bridge] — MS. 3:29 — Storace, Stephen — Captivity / My foes prevail my friends are fled — MS. 3:30 — Giordani(?), Tommaso — Queen Mary's Lamentation / I sigh and lament me in vain, these walls can but echo my woes — MS. 3:31 — Arnold, Samuel James — The poor little Gypsey / A poor little gypsey I wander forlorn — MS. 3:32 — Arnold, Samuel James — When the hollow drum has beat to bed [da The Mountaineers] — MS. 3:33 — Arnold, Samuel James — Faint and weary the way-worn traveller plods uncheerily [da The Mountaineers] — MS. 3:34 — Callcott, John Wall — Collin's Ode on the death of Thompson — MS. 3:35 — Anonimo — Begone dull care I prithee begone from me — MS. 3:36 — Webbe, Samuel — The Mansion of Peace / Soft Zephyr on thy balmy wing — MS. 3:37 — Anonimo — The Match Girl / Come buy of poor May good matches — MS. 4:01 — Pleyel, Ignace Joseph — Fourteen Favorite Sonatinas for the Harpsichord or Piano Forte — ST. 4:01/1 — Pleyel, Ignace Joseph — Sonatina I in do magg. — ST. 4:01/2 — Pleyel, Ignace Joseph — Sonatina II in re magg. — ST. 4:01/3 — Pleyel, Ignace Joseph — Sonatina III in fa magg. — ST. 4:01/4 — Pleyel, Ignace Joseph — Sonatina IV in la magg. — ST. 4:01/5 — Pleyel, Ignace Joseph — Sonatina V in sol magg. — ST. 4:01/6 — Pleyel, Ignace Joseph — Sonatina VI in la magg. — ST. 4:01/7 — Pleyel, Ignace Joseph — Sonatina VII in sol magg. — ST. 4:01/8 — Pleyel, Ignace Joseph — Sonatina VIII in la min. — ST. 4:01/9 — Pleyel, Ignace Joseph — Sonatina IX in re magg. — ST. 4:01/10 — Pleyel, Ignace Joseph — Sonatina X in si bem magg. — ST. 4:01/11 — Pleyel, Ignace Joseph — Sonatina XI in fa magg. — ST. 4:01/12 — Pleyel, Ignace Joseph — Sonatina XII in mi bem. magg. — ST. 4:01/13 — Pleyel, Ignace Joseph — Sonatina XIII in do magg. — ST. 4:01/14 — Pleyel, Ignace Joseph — Sonatina XIV in sol magg. — ST. 4:02 — Pleyel, Ignace Joseph — Pleyel's celebrated Overture — ST. 4:03 — Evance, William — A favorite Concerto for the Harpsichord or Piano Forte — ST. 4:04 — Kotzwara, František — The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — ST. 5:01 — Sterkel, Johann Franz Xaver — Six Sonatas for the Piano Forte or Harpsichord — ST. 5:01/1 — Sterkel, Johann Franz Xaver — Sonata I in do magg. — ST. 5:01/2 — Sterkel, Johann Franz Xaver — Sonata II in sol magg. — ST. 5:01/3 — Sterkel, Johann Franz Xaver — Sonata III in fa magg. — ST. 5:01/4 — Sterkel, Johann Franz Xaver — Sonata IV in la magg. — ST. 5:01/5 — Sterkel, Johann Franz Xaver — Sonata V in si bem magg. — ST. 5:01/6 — Sterkel, Johann Franz Xaver — Sonata VI in re magg. — ST. 5:02 — Davaux, Jean-Baptiste — Six Favourite Quartetto's by Davaux, adapted for the Harpsichord with Violin and Tenor — ST. 5:02/1 — Davaux, Jean-Baptiste — Quartetto I in fa magg. — ST. 5:02/2 — Davaux, Jean-Baptiste — Quartetto II in do magg. — ST. 5:02/3 — Davaux, Jean-Baptiste — Quartetto III in fa magg. — ST. 5:02/4 — Davaux, Jean-Baptiste — Quartetto IV in re magg. — ST. 5:02/5 — Davaux, Jean-Baptiste — Quartetto V in la magg. — ST. 5:02/6 — Davaux, Jean-Baptiste — Quartetto VI inmi bem magg. — ST. 5:03 — Schobert, Johann — Deux Sonates pour le Clavecin avec Violon ad Libitum — ST. 5:03/1 — Schobert, Johann — Sonata I in re magg. — ST. 5:03/2 — Schobert, Johann — Sonata II (Pastorale) in sol magg. — ST. 5:04 — Piccinni, Nicolò — The favorite Overture to La Buona Figliuola — ST. 5:05 — Bertoni, Ferdinando — Overture: Medonte — ST. 5:06 — Bertoni, Ferdinando — Overture: Il Convito — ST. 5:07 — Anfossi, Pasquale — Overture: Il Trionfo della Constanza — ST. 5:08 — Anfossi, Pasquale — Overture: I Viaggiatori Felici — ST. 5:09 — Sacchini, Antonio — Overture: Enea e Lavinia — ST. 5:10 — Schobert, Johann — Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — ST. 5:10/1 — Schobert, Johann — Sonata I in re magg. — ST. 5:10/2 — Schobert, Johann — Sonata II in la magg. — ST. 5:10/3 — Schobert, Johann — Sonata III in fa magg. — ST. 5:11/1 — Stamitz, Karl — A Duett for two Performers on One Harpsichord or Piano Forte — ST. 5:11/2 — Giordani, Tommaso — A Duetto for Two Performers on one Paino Forte or Harpsichord — ST. 5:12 — Händel, Georg Friedrich — Hallelujah in the Messiah and Grand Coronation Anthem / Two New Fugues (adapted by John Marsh) — ST. 6:01 — Reynolds, Maria Hester — 6 Accompanied sonatas for kbd & violin ad lib. — ST. 6:01/1 — Reynolds, Maria Hester — Sonata I in do magg. — ST. 6:01/2 — Reynolds, Maria Hester — Sonata II in si bem magg. — ST. 6:01/3 — Reynolds, Maria Hester — Sonata III in mi bem magg. — ST. 6:01/4 — Reynolds, Maria Hester — Sonata IV in sol magg. — ST. 6:01/5 — Reynolds, Maria Hester — Sonata V in re magg. — ST. 6:01/6 — Reynolds, Maria Hester — Sonata VI in mi magg. — ST. 6:02 — Piccinni, Nicolò — Overture: La Buona Figliuola — ST. 6:03 — Sampieri, Nicola — Fuga for the Organ or Piano Forte — ST. 6:04 — Kotzwara, František — The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — ST. 6:05 — Gyrowetz, Adalbert — Three Sonatas for the Piano Forte or Harpsichord, with Violin and Violoncello — ST. 6:05/1 — Gyrowetz, Adalbert — Sonata I in la magg. — ST. 6:05/2 — Gyrowetz, Adalbert — Sonata II in si bem magg. — ST. 6:05/3 — Gyrowetz, Adalbert — Sonata III in mi bem magg. — ST. 6:06 — Eichner, Ernst — Six Sonatas for the Harpsichord or Forte Piano with Violin and Bass ad libitum — ST. 6:06/1 — Eichner, Ernst — Sonata I in la magg. — ST. 6:06/2 — Eichner, Ernst — Sonata II in si bem magg. — ST. 6:06/3 — Eichner, Ernst — Sonata III in mi bem magg. — ST. 6:06/4 — Eichner, Ernst — Sonata IV in re magg. — ST. 6:06/5 — Eichner, Ernst — Sonata V in sol magg. — ST. 6:06/6 — Eichner, Ernst — Sonata VI in fa min. — ST. 6:07 — Schobert, Johann — Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — ST. 6:07/1 — Schobert, Johann — Sonata I in re magg. — ST. 6:07/2 — Schobert, Johann — Sonata II in la magg. — ST. 6:07/3 — Schobert, Johann — Sonata III in fa magg. — ST. 6:08 — Pleyel, Ignace Joseph — Pleyel's celebrated Concertante, adapted for the Harpsichord or Piano Forte with Violin — ST. 6:09 — Pleyel, Ignace Joseph — Six Sonatas for the Piano Forte or Harpsichord, with Flute or Violin, and Violoncello — ST. 6:09/1 — Pleyel, Ignace Joseph — Sonata I in do magg. — ST. 6:09/2 — Pleyel, Ignace Joseph — Sonata II in sol magg. — ST. 6:09/3 — Pleyel, Ignace Joseph — Sonata III in si bem magg. — ST. 6:09/4 — Pleyel, Ignace Joseph — Sonata IV in la magg. — ST. 6:09/5 — Pleyel, Ignace Joseph — Sonata V in mi min. — ST. 6:09/6 — Pleyel, Ignace Joseph — Sonata VI in re magg. — ST. 7:01 — Hook, James — Ma chere Amie — ST. 7:02 — Anonimo — I ha'e laid a herring in Salt — MS. 7:03a — Anonimo — In airy dreams soft fancy flies [Song] — ST. 7:03b — Anonimo — In airy dreams soft fancy flies [Duett] — ST. 7:04 — Relfe, John — Mary's Dream or Sandy's Ghost / The Moon had clim'd the highest hill — ST. 7:05 — Jackson, William — When first this humble roof I knew — ST. 7:06 — Arne, Thomas Augustine — Cymon and Iphigenia / Near a thick grove whose deep embow'ring shade — ST. 7:07 — Naumann, Johann Gottlieb — Vino Vecchio — ST. 7:08 — Anonimo — Senza titolo — MS. 7:09 — Anonimo — How imperfect is expression — ST. 7:10 — Anonimo — Oh Susan, Susan lovely dear — ST. 7:11 — Shield, William — The Plough Boy / A flaxen headed Cow Boy — ST. 7:12 — Leeves, Rev. William — Why tarries my love? Ah, where does he rove — MS. 7:13 — Devonshire, Georgiana Cavendish Duchess of — I have a silent sorrow here [Song for The Stranger] — MS. 7:14 — Philidor(?), François André‚ / Duni(?), Romualdo — Ah, que l'amour est chose jolie [Song from La Fée Urgele] — MS. 7:15(a) — Anonimo — Juvenile Amusement / There was a man in Sicily] — ST. 7:15(b) — Anonimo — Juvenile Amusement / There was an old woman, and what do you think] — ST. 7:16 — Harwood(?), Edward — The Dying Christian to his Soul / Vital spark of heav'nly flame — ST. 7:17 — Linley, Thomas — The Woodman / Stay Traveller, tarry here tonight — ST. 7:18 — Pollet, Benoît — Laisse là sur l'herbette ton chien — MS. 7:19 — Reading, John — Domum / Concinamus O Sodales! — ST. 7:20 — Dibdin, Charles — The Lamplighter / I'm jolly Dick, the Lamplighter — ST. 7:21 — Wesley, Samuel — Goosey Goosey Gander, where shall I wander — MS. 7:22 — Dibdin, Charles — Sound Argoment / We bipeds made up of frail clay — ST. 7:23 — Hook, James — Donna Della / When Cupid first his trade began — ST. 7:24 — Anonimo — Senza titolo — MS. 7:25 — Krumpholtz, Jan Křtitel (Jean-Baptiste) — Hither love thy beauties bring / Come in all thy bloom of charms — MS. 7:26 — Spofforth, Reginald — Ellen, the Richmond Primrose Girl / Near bow'ry Richmond, Thames's pride — MS. 7:27 — Marshall, William — Glenviddick — MS. 7:28 — Anonimo — The Chosen Few — MS. 7:29 — Leveridge, Richard — The Tipling Philosophers / Diogenes surly and proud — ST. 7:30a — Harington, Henry — How sweet in the Woodlands [Duetto] — ST. 7:30b — Harington, Henry — How sweet in the Woodlands [Song] — ST. 7:31 — Harington(?), Henry — The Egyptian Love Song / Sweet doth blush the rosy morning — MS. 7:32 — Jones, Edward — The Prayer of the Sicilian Mariners / O sanctissima! O piissima dulcis Virgo — MS. 7:33 — Crotch, Stephen — Air Russe — MS. 7:34 — Storace, Stephen — Tho you think by this to vex me [da The Siege of Belgrade] — MS. 7:35 — Anonimo — Romance du Major Andr‚ — MS. 7:36 — Dalayrac, Nicolas-Marie — Air de Philippe et Georgette — MS. 7:37 — Storace, Stephen — How provoking your doubts [da Le Siege de Belgrade] — MS. 7:38 — Watlen, John — God save the King, With New Variations — ST. 7:39 — Storace, Stephen — The sapling Oak lost in the dell [da Le Siege de Belgrade] — MS. 7:40 — Baudron, Antoine Laurent — Since then I'm doom'd this sad reverse to prove — MS. 7:41 — Anonimo — Cossack Dance — MS. 7:42 — Anonimo — As I was walking by yon burnside — MS. 7:43 — Anonimo — Oh Susan Susan lovely dear — ST. 7:44 — Anonimo — Pauvre Jacques / Quand j'étais pres de toi — MS. 7:45 — Arnold, Samuel James — Sure t'would make a dismal story [da Fire and Water] — ST. 7:46 — Watlen, John — My Mother / Who fed me from her gentle breast — ST. 7:47 — Dibdin, Charles — The Bachelor's Hall / To Bachelor's hall we good fellows invite — ST. 7:48 — Gluck, Christoph Willibald — Che farò senza Euridice [What alas shall Orpheus do, da Orfeo ed Euridice] — ST. 7:49 — Arne, Thomas Augustine — Nymphs and Sheperds — ST. 7:50 — Dibdin, Charles — Poor Orra tink of Yanko dear — ST. 7:51 — Arne, Thomas Augustine — To ease his heart: The Spinning Wheel [The Scotch Air in the Overture to Thomas and Sally] — ST. 7:52 — Paisiello, Giovanni — For tenderness form'd in Life's early day [da Il barbiere di Siviglia: Saper bramate] — ST. 8:01 — Jackson, William — Twelve Canzonets for two Voices — ST. 8:01/1 — Jackson, William — Time has not thin'd my flowing hair [Canzonet I] — ST. 8:01/2 — Jackson, William — The day that saw thy beauty rise [Canzonet II] — ST. 8:01/3 — Jackson, William — From the plains from the Woodlands and Groves [Canzonet III) — ST. 8:01/4 — Jackson, William — Now I know what it is to have strove [Canzonet IV] — ST. 8:01/5 — Jackson, William — Ah, where does my Phillida stray [Canzonet V] — ST. 8:01/6 — Jackson, William — The Pilgrim that journeys alla Day [Canzonet VI] — ST. 8:01/7 — Jackson, William — Take, oh take those lips away [Canzonet VII, parole da Misura per Misura di Shakespeare] — ST. 8:01/8 — Jackson, William — O Venus, hear, O hear my ardent Pray'r [Canzonet VIII] — ST. 8:01/9 — Jackson, William — Do not unbind two gentle hearts [Canzonet IX] — ST. 8:01/10 — Jackson, William — Sad is my day and ling' ring night [Canzonet X] — ST. 8:01/11 — Jackson, William — Ah, what avails thy Lover's Pray'r [Canzonet XI] — ST. 8:01/12 — Jackson, William — Alas from the Day that we met [Canzonet XII] — ST. 8:02 — Anonimo — Thirty Scots Song for a Voice & Harpsichord — ST. 8:02/1 — Anonimo — Katharine Ogie / As walking forth to view the plain — ST. 8:02/2 — Anonimo — Blathrie o'it / When I think on this warld's pelf — ST. 8:02/3 — Anonimo — The Birks of Invernay / The smiling morn, the breathing spring — ST. 8:02/4 — Anonimo — Bessy Bell & Mary Gray / O Bessy Bell — ST. 8:02/5 — Anonimo — Peatie's Mill / The lass of Peaty's mill — ST. 8:02/6 — Anonimo — Fee him Father / Saw ye Johnie cummin — ST. 8:02/7 — Anonimo — Low down in the Broom / My daddy is a canker'd carle — ST. 8:02/8 — Anonimo — The last Time I came o'er the Moor — ST. 8:02/9 — Anonimo — Gilder Roy — ST. 8:02/10 — Anonimo — Hooly and fairly / Oh! What had I ado for to marry — ST. 8:02/11 — Anonimo — She rose and loot me in / The night her silent sable wore — ST. 8:02/12 — Anonimo — Ann thou were my ain thing — ST. 8:02/13 — Anonimo — Tak your auld clock about ye / In winter when the rain rain'd cauld — ST. 8:02/14 — Anonimo — The Boatman / Ye gales that gently wave the sea — ST. 8:02/15 — Anonimo — There Nancy's to the green Wood gane — ST. 8:02/16 — Anonimo — Tweed Side / What beauties does Flora disclose — ST. 8:02/17 — Anonimo — For the laik-lake of gold she left me — ST. 8:02/18 — Anonimo — The Bush aboun Tranquair / Hear me, ye nymphs and ev'ry swain — ST. 8:02/19 — Anonimo — Corn Riggs / My Patie is a lover gay — ST. 8:02/20 — Anonimo — The Broom of the Cowdenknows / How blyth was I each morn to see — ST. 8:02/21 — Anonimo — Amynta / My sheep I've forsaken — ST. 8:02/22 — Anonimo — There's my thumb / Betty early gone a-maying — ST. 8:02/23 — Anonimo — The yellow hair'd laddy / In April, when primroses — ST. 8:02/24 — Anonimo — Hey, Jenny, come to Jock / Jocky he came here to woo — ST. 8:02/25 — Anonimo — Down the Burn Davie / When trees did bud — ST. 8:02/26 — Anonimo — I'll never leave thee / One day I heard Mary say — ST. 8:02/27 — Anonimo — Peggy I must love thee / As from a rock, past all relief — ST. 8:02/28 — Anonimo — Woe's my heart / With broken words & downcast eyes — ST. 8:02/29 — Anonimo — Fanny Fair / To Fanny fair — ST. 8:02/30 — Anonimo — Gill Morice was an erle's son — ST. 8:03 — Anonimo — A Second Set of Scots Songs for a Voice & Harpsichord — ST. 8:03/1 — Anonimo — Gallow Sheils / Ah, the poor Sheperd's mournful fate — ST. 8:03/2 — Anonimo — At Polwart on the Green — ST. 8:03/3 — Anonimo — The Banks of Forth / Ye Sylvan powers — ST. 8:03/4 — Anonimo — I wish my love were in a Mire / Blest as the immortal gods is he — ST. 8:03/5 — Anonimo — Dumbarton's Drums — ST. 8:03/6 — Anonimo — On Etrick Banks — ST. 8:03/7 — Anonimo — Love is the cause of my mourning / By a murmering stream — ST. 8:03/8 — Anonimo — Here awa there awa — ST. 8:03/9 — Anonimo — Sae merry as we hae been / A lass that was leaden'd with care — ST. 8:03/10 — Anonimo — O Waly waly — ST. 8:03/11 — Anonimo — My deary, an't thou die / Love never more shall give me pain — ST. 8:03/12 — Anonimo — Farewell to Lochaber — ST. 8:03/13 — Anonimo — Throw the Wood laddie / O Sandy, why leaves thou thy Nellie — ST. 8:03/14 — Anonimo — My Nanny-O / While some for pleasure pawn their breath — ST. 8:03/15 — Anonimo — Young Philander — ST. 8:03/16 — Anonimo — Mary Scot / Happy's love — ST. 8:03/17 — Anonimo — The Highland Laddie / The Lowlands lads — ST. 8:03/18 — Anonimo — Busk ye, busk ye, my bonny Bride — ST. 8:03/19 — Anonimo — John Hay's bonny Lassie / By smooth winding Tay — ST. 8:03/20 — Anonimo — The bonniest Lass in a' the Warld / Look where my dear Hamillia — ST. 8:03/21 — Anonimo — Saw ye nae my Peggy — ST. 8:03/22 — Anonimo — Bonny Jean / Love's goddess in a myrtle grove — ST. 8:03/23 — Anonimo — Rosline Castle / Twas in that season of the year — ST. 8:03/24 — Anonimo — By Pinky House — ST. 8:03/25 — Anonimo — Alloa House / The spring time returns — ST. 8:03/26 — Anonimo — Chevy Chase / God prosper long our noble King — ST. 8:04 — Giordani, Tommaso — Colin and Lucy, English Ballad — ST. J3:011 — Clementi, Muzio — Waltz 1st — MS. J3:014 — Clementi, Muzio — Waltz 5th — MS. J3:016 — Clementi, Muzio — Waltz 2 — MS. J3:020 — Anonimo — God Save the King — MS. J3:027 — Haydn, Joseph — Sonata — MS. J3:033 — Piccinni, Niccolò — Overture to La Buona Figliuola — MS. J3:038 — Jones, John — Lesson — MS. J3:040 — Garth, John — Rondeau — MS. J3:050 — Dufeuille (Blattman), Pierre Philibert — Air varié — MS. J3:057 — Arne, Thomas Augustine — How gentle was my Damons air — MS. J3:059 — Arne, Thomas Augustine — Sweet Echo, sweetest Nymph — MS. J3:061 — Arne, Thomas Augustine — By the gaily circling glass — MS. J3:062 — Callcott, John Wall — Epitaph / Forgive blest shade the tributary tear — MS. J3:063 — Vogler, Gerard — The Request / Tell Me Babbling Echo — MS. J3:080 — Mozart, Wolfgang Amadeus — Deh prendi un dolce amplesso — MS. J3:081 — Kelly, Michael — Megan oh oh Mehan ee / Sleep you or wake you lady bright — MS. J3:086 — Kelly, Michael — The Spectre Song / Lullaby Lullaby hush thee my Dear — MS. J3:087 — Kelly, Michael — Music from the oratory while the ghost appears — MS. J3:088 — Kelly, Michael — Jubilate on the ghost's retiring — MS. J3:089 — Monsigny, Pierre—Alexandre — For three voices / Ne vous repentez pas mon Pere — MS. J3:096 — Anonimo — The Babes in the Wood / When a Child on the knee — MS. J3:097 — Anonimo — Dickery Dickery dock — MS. J3:099 — Anonimo — See saw saccaradown — MS. J3:100 — Welsh, Thomas — The Death of Poor Cock Robin / Here, here, here lies Cock Robin dead and cold — MS. J3:101 — Anonimo — Hushaby baby upon the tree top — MS. J3:103 — Anonimo — Cock a doodle doo — MS. J3:104 — Anonimo — Tell tale tit — MS. J3:105 — Anonimo — Irish Air / Lost, lost, lost is my quiet for ever — MS. J3:106 — Anonimo — Seaton Clifts / To thy clifts, Rocky Seaton, adieu — MS. J3:108 — Cartwright, Edmund — Address to Sleep / Sleep tho' death thou dost resemble — MS. J3:110 — Shell, Thomas — Morning Hymn / Awake my soul and with the sun — MS. J3:114 — Anonimo — Free mason's song / Come Brothers sing with me — MS. J3:115 — Hiller, Johann Adam — Love and Wine / Robb'd of love and gen'rous wine — MS. J3:116 — Anonimo — Rhenish Wine / With ivy crown'd behold — MS. J3:117 — Anonimo — Love my Mary dwells with thee — MS. J3:120 — Moore, Thomas — Here's the Bower — MS. J3:122 — Anonimo — Oh Giovinetti / Oh Giovinetti innamorati — MS. J3:124 — Anonimo — The Wreath you wove — MS. J3:126 — Anonimo — Fly not yet / Fly not yet, 'tis just the hour — MS. J3:128 — Anonimo — Venetian Ballade / Spazza camin che va criando va criando il suo mestier — MS. J3:129 — Arnold, Samuel — In the Dead of the Night — MS. J3:130 — Anonimo — Eveleen Bow'r — Irish Melody / Oh! weep for the hour when to Eveleen's Bow'r — MS. J3:132 — Biggs, Edward Smith — Hindoo Girl's Song / Tis thy will, and I must leave thee — MS. J3:140 — Holst, Matthias — On ne sauroit trop embellir — MS. J3:144 — Himmel, Friedrich Heinrich — The Queen of Prussia Waltz — MS. J3:145 — Anonimo — The young May Moon — MS. J3:147 — Zwingmann, Johan Nicolaus — [Aria con variazioni] — MS. J4:008 — Sacchini, Antonio — Ouverture d'Evélina — ST. J4:012 — Dufeuille (Blattman), Pierre Philibert — Charlotte au Tombeau de Werther / En proie aux noirs chagrins — ST. J4:014 — Anonimo — Romance / Lise voudroit se rendre — ST. J4:016 — Dufeuille (Blattman), Pierre Philibert — Pot-pourri — ST. J4:022 — Paisiello, Giovanni — Air du Roi Théodore à Venise — ST. J4:024 — Chapelle(?) — Romance / Ô volupté! toi que j'encence — ST. J4:026 — Sacchini, Antonio — Air d'OEdipe à Colone — ST. J4:027 — Dufeuille (Blattman), Pierre Philibert — Regrets de Pétrarque / Séparé pour toujours de celle qu'il aimoit — ST. J4:032 — Chardiny, Louis-Claude-Armand — Ouverture de Clitandre et Céphise — ST. J4:035 — Cambini, Giuseppe Maria — Air de la Croisée / Le sommeil fuyoit de nos yeux — ST. J4:036 — Anonimo — Air de l'Auteur à la mode / Depuis deux ans, dans ma retraite — ST. J4:040 — Grétry, André-Ernest-Modeste — Ouverture du Rival Confident — ST. J4:043 — Devienne, François — Romance / Que j'aime à voir les hirondelles — ST. J4:044 — Dézede, Nicolas — Air des deux Pages / Aimera qui voudra les hommes — ST. J4:047 — M. D.(?) — Romance / Ô toi qui fuis ton amie — ST. J4:048 — Paisiello, Giovanni — Air de Bon Pere / Non, Jeannette plus d'espoir — ST. J4:051 — Cimarosa, Domenico — Air de l'Impresario in Angustie / Je sens mon cœur, près d'Hilas, qui palpite — ST. J4:055 — Sacchini, Antonio — Air d'Arvire et Evélina / Du plus jeune des deux — ST. J4:056 — Piccinni, Niccolò — Pastorale de Roland — ST. J4:059 — Dalayrac, Nicolas-Marie — Ouverture de Renaud d'Ast — ST. J4:064 — Le Moyne, Jean-Baptiste — Ouverture des Prétendus — ST. J4:068 — Krumpholtz, Jean-Baptiste — Romance du Concerto en fa / Calme les maux que j'endure — ST. J4:071 — Bianchi, Francesco — Air de la Villanella Rapita / Belle rose d'amourette — ST. J4:075 — Cambini, Giuseppe Maria — Air de Bon Pere / C'qu'est l'plus nécessaire en ménage — ST. J4:076 — Vogel, Johann Christoph — Air de Demophon / Ah! que sa tendresse m'est chère! — ST. J4:080 — Paisiello, Giovanni — Ouverture du Philosophe imaginaire — ST. J4:084 — Paisiello, Giovanni — Ouverture d'Orgon dans la lune — ST. J4:087 — Dalayrac, Nicolas-Marie(?) — Romance de Raoul de Créqui / De vos bontés, de son amour — ST. J4:088 — Vogel, Johann Christoph — Air de Démophon / Hélas! hélas! que ne puis je vous dire — ST. J4:091 — R., Madame de(?) — Romance / Cruelle! ô toi qui ne veut pas m'entendre — ST. J4:092 — Dalayrac, Nicolas- Marie(?) — Air de Raoul de Créqui / Je brule de voir ce château — ST. J4:095 — Vogel, Johann Christoph — Air de Demophon / Doux sentiment de la nature — ST. J4:099 — Anonimo — Le Pauvre Jacques. Chanson /Pauvre Jacques, quand j'étois près de toi — ST. J4:100 — Guglielmi, Pietro Alessandro — Air de la Pastorella Nobile / Ce jour heureux ce moment si prospère — ST. J4:107 — Anonimo — Romance / Astre charmant ami des belles — ST. J4:110 — Anonimo — Romance / Cherchez au loin de faux plaisirs — ST. J4:113 — Anonimo — D'une cruelle indifférence — ST. J4:116 — Anonimo — Amour, amour, tu te fais bien connaître — ST. J4:118 — Anonimo — Air Gracieux / Si la Vénus qu'on adorait en Grèce — ST. J4:120 — Anonimo — Air Gai / Que chacun boive à ce qu'il aime — ST. J4:122 — Anonimo — Air très simple / Folâtre, cruelle et volage — ST. J4:124 — Anonimo — Quand je vais au bois seulette — ST. J4:126 — Anonimo — Air simple / Dans ces beaux lieux avant l'aurore — ST. J4:128 — Anonimo — Air Simple / Ce lieu n'est-il donc plus le même — ST. J4:130 — Anonimo — Romance très simple La Rose Enlevée / Hier assis près d'un ormeau — ST. J4:132 — Anonimo — Air tendre / Dors mon enfant clos ta paupière — ST. J4:136 — Hinner, Philipp Joseph — Sonate — ST. J7:044 — Bach, Johann Christian — Sonata I — ST. J7:050 — Bach, Johann Christian — Sonata II — ST. J7:056 — Bach, Johann Christian — Sonata III — ST. J7:062 — Bach, Johann Christian — Sonata IV — ST. J7:068 — Bach, Johann Christian — Sonata V — ST. J7:074 — Bach, Johann Christian — Sonata VI — ST. J7:084 — Zwingmann, Johan Nicolaus — A favorite sonata — ST. J7:100 — Haigh, Thomas — Sonata I — ST. J7:104 — Haigh, Thomas — Sonata II — ST. J7:111 — Pleyel, Ignace Joseph — Sonata I — ST. J7:124 — Pleyel, Ignace Joseph — Sonata II — ST. J7:136 — Pleyel, Ignace Joseph — Sonata III — ST. J7:151 — Cramer, Johann Baptist — Sonata — ST. J7:168 — Fischer, Johann Christian — An old favorite air — ST. J7:174 — Esch, Louis — Air de ballet et Rondo — ST. J7:184 — Esch, Louis — Pastorale et gigue — ST. J7:191 — Esch, Louis — La colombe retrouvée — ST. J7:195 — Rimbault, Stephen Francis — Away with melancholy — ST. J7:199 — Arnold, Samuel — Ally Croaker — ST. J7:206 — Kiallmark, George — Robin Adair — ST. J7:214 — Butler, Thomas Hamly — Lewie Gordon — ST. J7:218 — Sharp, Benjamin — A divertimento — ST. J7:223 — Steibelt, Daniel — The celebrated pollacca — ST. J7:231 — Dussek, Johann Ladislaus — To, to, carabo' — ST. J7:241 — Latour, T. — The nightingale — ST. J7:261 — Latour, T. — Lieber Augustine — ST. J7:269 — Latour, T. — Cory Owen — ST. J7:273 — Woelfl, Joseph — Augustin — ST. J7:281 — Woelfl, Joseph — A favorite polonaise — ST. J7:293 — Burbidge, R. — A favorite melody — ST. J7:299 — Mazzinghi, Joseph — A medley divertimento — ST. J7:303 — Mazzinghi, Joseph — Air grotesque — ST. J7:307 — Mazzinghi, Joseph — A second air grotesque — ST. J7:311 — Holst, Matthias — The celebrated fairy dance — ST. J7:315 — Sanderson, James — The favorite rondo — ST. J7:319 — King, Matthew Peter — Sir David Hunter Blair's reel — ST. J7:325 — Watlen, John — Up and war them a' Willie — ST. J7:329 — Watlen, John — Garnovich's reel — ST. J7:333 — Jansen, Louis Charles — The celebrated dance — ST. J7:337 — Bishop, Henry Rowley — The favorite pas de seul — ST. J7:341 — Guglielmi, Pietro Carlo — Pas de trois — ST. J7:347 — Fiorillo, Federigo — Pas de cinque — ST. J7:350 — Fiorillo, Federigo — Pas de deux — ST. J7:389 — Stevenson, John — The favorite overture to the Bedouins — ST. J7:399 — Adam, Louis — Sonate — ST. J7:404 — Couperin, Armand-Louis — Air de Richard Coeur-de-Lion — ST. J7:406 — la Codre, Blin de — Air / Le sentiment est au plaisir — ST. J7:407 — Dale, James — A rondo — ST. J7:411a — Dale, Joseph — Paddy O Carroll — ST. J7:411b — Dale, Joseph — La Fille de Brussels — ST. J7:411c — Dale, Joseph — The Maltese — ST. J7:412a — Dale, Joseph — Up and war them a' Willie — ST. J7:412b — Dale, Joseph — La Romanella — ST. J7:412c — Dale, Joseph — Nothing — ST. J7:413a — Dale, Joseph — Tekeli — ST. J7:413b — Dale, Joseph — Donald O Cready, or Murdoch O Rouck — ST. J7:413c — Dale, Joseph — The New Waltz — ST. J7:414a — Dale, Joseph — La Ridicule — ST. J7:414b — Dale, Joseph — She's over young to marry yet — ST. J7:414c — Dale, Joseph — Greig's pipes — ST.
INDICE PER AUTORE
Anonimo — Minuett — 1:02 — MS. Anonimo — Jockey / I'll sing to my lover all night and all day — 1:11 — MS. Anonimo — Love never more shall give me pain — 1:14 — MS. Anonimo — On ye Tay's verdant banks a fair maid lay reclined — 1:16 — MS. Anonimo — When you ask me to sing — 1:17 — MS. Anonimo — When Apollo shall tune ye lyre — 1:18 — MS. Anonimo — Viens que j'examine cette mine — 1:19 — MS. Anonimo — Jessy or The Happy Pair / How blest my time has been — 1:20 — MS. Anonimo — The Soger Laddie / My Soger Laddie is over the seas and he will bring gold and money to me — 1:26 — MS. Anonimo — The Young Gentleman's Retreat — 1:27 — MS. Anonimo — Marshal Sax's Minuet — 1:29 — MS. Anonimo — Senza titolo — 1:32 — MS. Anonimo — Minuett — 1:33 — MS. Anonimo — Senza titolo — 1:34 — MS. Anonimo — Fandango. É Los Gigangas from Thicknesse's Tour — 2:02 — MS. Anonimo — Nos Galen — 2:04 — MS. Anonimo — The Austrian Grenadier's quick March — 2:06 — MS. Anonimo — Troop of the Coldstream Regiment of Guards — 2:07 — MS. Anonimo — The London March — 2:08 — MS. Anonimo — March by Mr Meyer — 2:09 — MS. Anonimo — Scotch Air — 2:10 — MS. Anonimo — The Austrian Retreat — 2:11 — MS. Anonimo — Senza titolo — 2:13 — MS. Anonimo — Senza titolo — 2:14 — MS. Anonimo — Waltz — 2:16 — MS. Anonimo — Waltz — 2:17 — MS. Anonimo — German Waltz — 2:20 — MS. Anonimo — German Waltz — 2:21 — MS. Anonimo — Coolun with Variations — 2:22 — MS. Anonimo — The Gloucester Waltz on Ly Caroline Lee— 2:25 — MS. Anonimo — La Rose - Cotillon — 2:26 — MS. Anonimo — The Perigordine — 2:27 — MS. Anonimo — To Fair Fidele's Grassy Tomb — 2:28 — MS. Anonimo — March — 2:30 — MS. Anonimo — The Nightingale — 2:34 — MS. Anonimo — Polonese Russe — 2:35 — MS. Anonimo — Canzonet of Alcanzor and Zayda / Tis in vain Alcanzo's spies surround me — 3:01 — MS. Anonimo — Plus ne veux jamais m'engager — 3:07 — MS. Anonimo — Air du Marquis de Tulipano — 3:13 — MS. Anonimo — Chanson Bearnoise / Un troubadour bearnois les yeux inondés de larmes — 3:20 — MS. Anonimo — Were I obliged to beg my bread and had not where to lay my head — 3:27 — MS. Anonimo — Begone dull care I prithee begone from me — 3:35 — MS. Anonimo — The Match Girl / Come buy of poor May good matches — 3:37 — MS. Anonimo — I ha'e laid a herring in Salt — 7:02 — MS. Anonimo — In airy dreams soft fancy flies [Song] — 7:03a — ST. Anonimo — In airy dreams soft fancy flies [Duett] — 7:03b — ST. Anonimo — Senza titolo — 7:08 — MS. Anonimo — How imperfect is expression — 7:09 — ST. Anonimo — Oh Susan, Susan lovely dear — 7:10 — ST. Anonimo — Juvenile Amusement / There was a man in Sicily] — 7:15(a) — ST. Anonimo — Juvenile Amusement / There was an old woman, and what do you think] — 7:15(b) — ST. Anonimo — Senza titolo — 7:24 — MS. Anonimo — The Chosen Few — 7:28 — MS. Anonimo — Romance du Major André — 7:35 — MS. Anonimo — Cossack Dance — 7:41 — MS. Anonimo — As I was walking by yon burnside — 7:42 — MS. Anonimo — Oh Susan Susan lovely dear — 7:43 — ST. Anonimo — Pauvre Jacques / Quand j'étais pres de toi — 7:44 — MS. Anonimo — Thirty Scots Song for a Voice & Harpsichord — 8:02 — ST. Anonimo — Katharine Ogie / As walking forth to view the plain — 8:02/1 — ST. Anonimo — Blathrie o'it / When I think on this warld's pelf — 8:02/2 — ST. Anonimo — The Birks of Invernay / The smiling morn, the breathing spring — 8:02/3 — ST. Anonimo — Bessy Bell & Mary Gray / O Bessy Bell — 8:02/4 — ST. Anonimo — Peatie's Mill / The lass of Peaty's mill — 8:02/5 — ST. Anonimo — Fee him Father / Saw ye Johnie cummin — 8:02/6 — ST. Anonimo — Low down in the Broom / My daddy is a canker'd carle — 8:02/7 — ST. Anonimo — The last Time I came o'er the Moor — 8:02/8 — ST. Anonimo — Gilder Roy — 8:02/9 — ST. Anonimo — Hooly and fairly / Oh! What had I ado for to marry — 8:02/10 — ST. Anonimo — She rose and loot me in / The night her silent sable wore — 8:02/11 — ST. Anonimo — Ann thou were my ain thing — 8:02/12 — ST. Anonimo — Tak your auld clock about ye / In winter when the rain rain'd cauld — 8:02/13 — ST. Anonimo — The Boatman / Ye gales that gently wave the sea — 8:02/14 — ST. Anonimo — There Nancy's to the green Wood gane — 8:02/15 — ST. Anonimo — Tweed Side / What beauties does Flora disclose — 8:02/16 — ST. Anonimo — For the laik-lake of gold she left me — 8:02/17 — ST. Anonimo — The Bush aboun Tranquair / Hear me, ye nymphs and ev'ry swain — 8:02/18 — ST. Anonimo — Corn Riggs / My Patie is a lover gay — 8:02/19 — ST. Anonimo — The Broom of the Cowdenknows / How blyth was I each morn to see — 8:02/20 — ST. Anonimo — Amynta / My sheep I've forsaken — 8:02/21 — ST. Anonimo — There's my thumb / Betty early gone a-maying — 8:02/22 — ST. Anonimo — The yellow hair'd laddy / In April, when primroses — 8:02/23 — ST. Anonimo — Hey, Jenny, come to Jock / Jocky he came here to woo — 8:02/24 — ST. Anonimo — Down the Burn Davie / When trees did bud — 8:02/25 — ST. Anonimo — I'll never leave thee / One day I heard Mary say — 8:02/26 — ST. Anonimo — Peggy I must love thee / As from a rock, past all relief — 8:02/27 — ST. Anonimo — Woe's my heart / With broken words & downcast eyes — 8:02/28 — ST. Anonimo — Fanny Fair / To Fanny fair — 8:02/29 — ST. Anonimo — Gill Morice was an erle's son — 8:02/30 — ST. Anonimo — A Second Set of Scots Songs for a Voice & Harpsichord — 8:03 — ST. Anonimo — Gallow Sheils / Ah, the poor Sheperd's mournful fate — 8:03/1 — ST. Anonimo — At Polwart on the Green — 8:03/2 — ST. Anonimo — The Banks of Forth / Ye Sylvan powers — 8:03/3 — ST. Anonimo — I wish my love were in a Mire / Blest as the immortal gods is he — 8:03/4 — ST. Anonimo — Dumbarton's Drums — 8:03/5 — ST. Anonimo — On Etrick Banks — 8:03/6 — ST. Anonimo — Love is the cause of my mourning / By a murmering stream — 8:03/7 — ST. Anonimo — Here awa there awa — 8:03/8 — ST. Anonimo — Sae merry as we hae been / A lass that was leaden'd with care — 8:03/9 — ST. Anonimo — O Waly waly — 8:03/10 — ST. Anonimo — My deary, an't thou die / Love never more shall give me pain — 8:03/11 — ST. Anonimo — Farewell to Lochaber — 8:03/12 — ST. Anonimo — Throw the Wood laddie / O Sandy, why leaves thou thy Nellie — 8:03/13 — ST. Anonimo — My Nanny-O / While some for pleasure pawn their breath — 8:03/14 — ST. Anonimo — Young Philander — 8:03/15 — ST. Anonimo — Mary Scot / Happy's love — 8:03/16 — ST. Anonimo — The Highland Laddie / The Lowlands lads — 8:03/17 — ST. Anonimo — Busk ye, busk ye, my bonny Bride — 8:03/18 — ST. Anonimo — John Hay's bonny Lassie / By smooth winding Tay — 8:03/19 — ST. Anonimo — The bonniest Lass in a' the Warld / Look where my dear Hamillia — 8:03/20 — ST. Anonimo — Saw ye nae my Peggy — 8:03/21 — ST. Anonimo — Bonny Jean / Love's goddess in a myrtle grove — 8:03/22 — ST. Anonimo — Rosline Castle / Twas in that season of the year — 8:03/23 — ST. Anonimo — By Pinky House — 8:03/24 — ST. Anonimo — Alloa House / The spring time returns — 8:03/25 — ST. Anonimo — Chevy Chase / God prosper long our noble King — 8:03/26 — ST. Anonimo — God Save the King — J3:020 — MS. Anonimo — The Babes in the Wood / When a Child on the knee — J3:096 — MS. Anonimo — Dickery Dickery dock — J3:097 — MS. Anonimo — See saw saccaradown — J3:099 — MS. Anonimo — Hushaby baby upon the tree top — J3:101 — MS. Anonimo — Cock a doodle doo — J3:103 — MS. Anonimo — Tell tale tit — J3:104 — MS. Anonimo — Irish Air / Lost, lost, lost is my quiet for ever — J3:105 — MS. Anonimo — Seaton Clifts / To thy clifts, Rocky Seaton, adieu — J3:106 — MS. Anonimo — Free mason's song / Come Brothers sing with me — J3:114 — MS. Anonimo — Rhenish Wine / With ivy crown'd behold — J3:116 — MS. Anonimo — Love my Mary dwells with thee — J3:117 — MS. Anonimo — Oh Giovinetti / Oh Giovinetti innamorati — J3:122 — MS. Anonimo — The Wreath you wove — MS.J3:124 — Anonimo — Fly not yet / Fly not yet, 'tis just the hour — J3:126 — MS. Anonimo — Venetian Ballade / Spazza camin che va criando va criando il suo mestier — J3:128 — MS. Anonimo — Eveleen Bow'r — Irish Melody / Oh! weep for the hour when to Eveleen's Bow'r — J3:130 — MS. Anonimo — The young May Moon — J3:145 — MS. Anonimo — Romance / Lise voudroit se rendre — J4:014 — ST. Anonimo — Air de l'Auteur à la mode / Depuis deux ans, dans ma retraite — J4:036 — ST. Anonimo — Le Pauvre Jacques. Chanson /Pauvre Jacques, quand j'étois près de toi — J4:099 — ST. Anonimo — Romance / Astre charmant ami des belles — J4:107 — ST. Anonimo — Romance / Cherchez au loin de faux plaisirs — J4:110 — ST. Anonimo — Senza titolo / D'une cruelle indifférence — J4:113 — ST. Anonimo — Amour, amour, tu te fais bien connaître — J4:116 — ST. Anonimo — Air Gracieux / Si la Vénus qu'on adorait en Grèce — J4:118 — ST. Anonimo — Air Gai / Que chacun boive à ce qu'il aime — J4:120 — ST. Anonimo — Air très simple / Folâtre, cruelle et volage — J4:122 — ST. Anonimo — Quand je vais au bois seulette — J4:124 — ST. Anonimo — Air simple / Dans ces beaux lieux avant l'aurore J4:126 — — ST. Anonimo — Air Simple / Ce lieu n'est-il donc plus le même — J4:128 — ST. Anonimo — Romance très simple La Rose Enlevée / Hier assis près d'un ormeau — J4:130 — ST. Anonimo — Air tendre Dors mon enfant clos ta paupière — J4:132 — ST. Adam, Louis — Sonate — J7:399 — ST. Anfossi, Pasquale — Overture: Il Trionfo della Constanza — 5:07 — ST. Anfossi, Pasquale — Overture: I Viaggiatori Felici — 5:08 — ST. Arne, Thomas Augustine — Lotharia / Vainly now ye strive to charm me — 1:09 — MS. Arne, Thomas Augustine — Overture to Artaxerxes — 2:37 — MS. Arne, Thomas Augustine — Cymon and Iphigenia / Near a thick grove whose deep embow'ring shade — 7:06 — ST. Arne, Thomas Augustine — Nymphs and Sheperds — 7:49 — ST. Arne, Thomas Augustine — To ease his heart: The Spinning Wheel [The Scotch Air in the Overture to Thomas and Sally] — 7:51 — ST. Arne, Thomas Augustine — How gentle was my Damons air — J3:057 — MS. Arne, Thomas Augustine — Sweet Echo, sweetest Nymph — J3:059 — MS. Arne, Thomas Augustine — By the gaily circling glass — J3:061 — MS. Arnold, Samuel James — Think your tawny moor is true pretty Agnes [da The Mountaineers] — 3:23 — MS. Arnold, Samuel James — The poor little Gypsey / A poor little gypsey I wander forlorn — 3:31 — MS. Arnold, Samuel James — When the hollow drum has beat to bed [da The Mountaineers] — 3:32 — MS. Arnold, Samuel James — Faint and weary the way-worn traveller plods uncheerily [da The Mountaineers] — 3:33 — MS. Arnold, Samuel James — Sure t'would make a dismal story [da Fire and Water] — 7:45 — ST. Arnold, Samuel — In the Dead of the Night — J3:129 — MS. Arnold, Samuel — Ally Croaker — J7:199 — ST. Atterbury, Luffman — Joan said to John — 3:17 — MS. Bach, Johann Christian — Sonata I — J7:044 — ST. Bach, Johann Christian — Sonata II — J7:050 — ST. Bach, Johann Christian — Sonata III — J7:056 — ST. Bach, Johann Christian — Sonata IV — J7:062 — ST. Bach, Johann Christian — Sonata V — J7:068 — ST. Bach, Johann Christian — Sonata VI — J7:074 — ST. Baildon, Joseph — Jockey and Jenny / Stern winter has left us ye trees are in bloom — 1:08 — MS. Baudron, Antoine Laurent — Since then I'm doom'd this sad reverse to prove — 7:40 — MS. Bertoni, Ferdinando — Overture: Medonte — 5:05 — ST. Bertoni, Ferdinando — Overture: Il Convito — 5:06 — ST. Bianchi, Francesco — Air de la Villanella Rapita / Belle rose d'amourette — J4:071 — ST. Biggs, Edward Smith — Hindoo Girl's Song / Tis thy will, and I must leave thee — J3:132 — MS. Bishop, Henry Rowley — The favorite pas de seul — J7:337 — ST. Boyce, William — Contented all day I will sit at your side [da The Chaplet] — 1:04 — MS. Boyce, William — The Ass / Push about the brisk bowl [da The Chaplet] — 1:05 — MS. Boyce, William — Sinfonia da The Chaplet (secondo movimento] — 1:12 — MS. Burbidge, R. — A favorite melody — J7:293 — ST. Butler, Thomas Hamly — Lewie Gordon — J7:214 — ST. Callcott, John Wall — Collin's Ode on the death of Thompson — 3:34 — MS. Callcott, John Wall — Epitaph / Forgive blest shade the tributary tear — J3:062 — MS. Cambini, Giuseppe Maria — Air de la Croisée / Le sommeil fuyoit de nos yeux — J4:035 — ST. Cambini, Giuseppe Maria — Air de Bon Pere / C'qu'est l'plus nécessaire en ménage — J4:075 — ST. Carter, Charles Thomas — O Nanny / Oh! Nanny wilt thou fly from me — 3:03 — MS. Cartwright, Edmund — Address to Sleep / Sleep tho' death thou dost resemble — J3:108 — MS. Chapelle(?) — Romance / Ô volupté! toi que j'encence — J4:024 — ST. Chardiny, Louis-Claude-Armand — Ouverture de Clitandre et Céphise — J4:032 — ST. Cimador(?), Giambattista — Arietta Veneziano — 3:26 — MS. Cimarosa, Domenico — Air de l'Impresario in Angustie / Je sens mon cœur, près d'Hilas, qui palpite — J4:051 — ST. Clementi, Muzio — Waltz 1st — J3:011 — MS. Clementi, Muzio — Waltz 5th — J3:014 — MS. Clementi, Muzio — Waltz 2 — J3:016 — MS. Corri, Domenico — My Lodging is on the could ground — 2:31 — MS. Corri, Domenico — My ain kind Dearie — 2:33 — MS. Couperin, Armand-Louis — Air de Richard Coeur-de-Lion — J7:404 — ST. Cramer, Johann Baptist — Sonata — J7:151 — ST. Crotch, Stephen — Air Russe — 7:33 — MS. Dalayrac, Nicolas-Marie — Ouverture de Renaud d'Ast — 2:03 — MS. Dalayrac, Nicolas-Marie — Air de Philippe et Georgette — 7:36 — MS. Dalayrac, Nicolas-Marie — Ouverture de Renaud d'Ast — J4:059 — ST. Dalayrac, Nicolas-Marie(?) — Romance de Raoul de Créqui / De vos bontés, de son amour — J4:087 — ST. Dalayrac, Nicolas- Marie(?) — Air de Raoul de Créqui / Je brule de voir ce château — J4:092 — ST. Dale, James — A rondo — J7:407 — ST. Dale, Joseph — Paddy O Carroll — J7:411a — ST. Dale, Joseph — La Fille de Brussels — J7:411b — ST. Dale, Joseph — The Maltese — J7:411c — ST. Dale, Joseph — Up and war them a' Willie — J7:412a — ST. Dale, Joseph — La Romanella — J7:412b — ST. Dale, Joseph — Nothing —J7:412c — ST. Dale, Joseph — Tekeli — J7:413a — ST. Dale, Joseph — Donald O Cready, or Murdoch O Rouck — J7:413b — ST. Dale, Joseph — The New Waltz — J7:413c — ST. Dale, Joseph — La Ridicule — J7:414a — ST. Dale, Joseph — She's over young to marry yet — J7:414b — ST. Dale, Joseph — Greig's pipes — J7:414c — ST. Davaux, Jean-Baptiste — Six Favourite Quartetto's by Davaux, adapted for the Harpsichord with Violin and Tenor — 5:02 — ST. Davaux, Jean-Baptiste — Quartetto I in fa magg. — 5:02/1 — ST. Davaux, Jean-Baptiste — Quartetto II in do magg. — 5:02/2 — ST. Davaux, Jean-Baptiste — Quartetto III in fa magg. — 5:02/3 — ST. Davaux, Jean-Baptiste — Quartetto IV in re magg. — 5:02/4 — ST. Davaux, Jean-Baptiste — Quartetto V in la magg. — 5:02/5 — ST. Davaux, Jean-Baptiste — Quartetto VI inmi bem magg. — 5:02/6 — ST. Devienne, François — Romance / Que j'aime à voir les hirondelles — J4:043 — ST. Devonshire, Georgiana Cavendish Duchess of — I have a silent sorrow here [Song for The Stranger] — 7:13 — MS. Dézede, Nicolas — Air des deux Pages / Aimera qui voudra les hommes — J4:044 — ST. Dibdin, Charles — The Joys of the Country / Let Bucks and let Bloods to praise London agree [da The Wags] — 3:05 — MS. Dibdin(?), Charles — Go and on my truth relying comfort to your cares apllying [da Lionel and Clarissa] — 3:06 — MS. Dibdin, Charles — The Soldier's Adieu / Adieu, adieu my only life my honour calls me from thee [da The Wags] — 3:12 — MS. Dibdin, Charles — I that once was a ploughman a sailor now am — 3:22 — MS. Dibdin, Charles — The Lamplighter / I'm jolly Dick, the Lamplighter — 7:20 — ST. Dibdin, Charles — Sound Argoment / We bipeds made up of frail clay — 7:22 — ST. Dibdin, Charles — The Bachelor's Hall / To Bachelor's hall we good fellows invite — 7:47 — ST. Dibdin, Charles — Poor Orra tink of Yanko dear — 7:50 — ST. Dufeuille (Blattman), Pierre Philibert — Air varié — J3:050 — MS. Dufeuille (Blattman), Pierre Philibert — Charlotte au Tombeau de Werther / En proie aux noirs chagrins — J4:012 — ST. Dufeuille (Blattman), Pierre Philibert — Pot-pourri — J4:016 — ST. Dufeuille (Blattman), Pierre Philibert — Regrets de Pétrarque / Séparé pour toujours de celle qu'il aimoit — J4:027 — ST. Duni(?), Romualdo / Philidor(?), François André — Ah, que l'amour est chose jolie [Song from La Fée Urgele] — 7:14 — MS. Dussek, Johann Ladislaus — To, to, carabo' — J7:231 — ST. Eichner, Ernst — Six Sonatas for the Harpsichord or Forte Piano with Violin and Bass ad libitum — 6:06 — ST. Eichner, Ernst — Sonata I in la magg. — 6:06/1 — ST. Eichner, Ernst — Sonata II in si bem magg. — 6:06/2 — ST. Eichner, Ernst — Sonata III in mi bem magg. — 6:06/3 — ST. Eichner, Ernst — Sonata IV in re magg. — 6:06/4 — ST. Eichner, Ernst — Sonata V in sol magg. — 6:06/5 — ST. Eichner, Ernst — Sonata VI in fa min. — 6:06/6 — ST. Esch, Louis — Air de ballet et Rondo — J7:174 — ST. Esch, Louis — Pastorale et gigue — J7:184 — Esch, ST. Esch, Louis — La colombe retrouvée — J7:191 — ST. Evance, William — A favorite Concerto for the Harpsichord or Piano Forte — 4:03 — ST. Felton, William — Air with variations — 1:07 — MS. Felton, William — Composed by Mr Felton — 1:13 — MS. Fiorillo, Federigo — Pas de cinque — J7:347 — ST. Fiorillo, Federigo — Pas de deux — J7:350 — ST. Fischer, Johann Christian — An old favorite air — J7:168 — ST. Garth, John — Rondeau — J3:040 — MS. Giordani(?), Tommaso — Queen Mary's Lamentation / I sigh and lament me in vain, these walls can but echo my woes — 3:30 — MS. Giordani, Tommaso — A Duetto for Two Performers on one Paino Forte or Harpsichord — 5:11/2 — ST. Giordani, Tommaso — Colin and Lucy, English Ballad — 8:04 — ST. Gluck, Christoph Willibald — Che farò senza Euridice [What alas shall Orpheus do, da Orfeo ed Euridice] — 7:48 — ST. Gow, Nathaniel — Mrs Hamilton of Princaitland's Strathspey — 2:05 — MS. Grétry, André Ernest Modest — Air de Ballets de la Caravane [da La Caravane du Caire] — 3:10 — MS. Grétry(?), André Ernest Modest — Sous un berceau de jasmin trouver une belle endormi — 3:14 — MS. Grétry, André Ernest Modest — La danse n'est pas ce que j'aime mai c'est la fille [da Richard Coeur de Lion] — 3:18 — MS. Grétry, André-Ernest-Modeste — Ouverture du Rival Confident — J4:040 — ST. Guglielmi, Pietro Alessandro — Air de la Pastorella Nobile / Ce jour heureux ce moment si prospère — J4:100 — ST. Guglielmi, Pietro Carlo — Pas de trois — J7:341 — ST. Gyrowetz, Adalbert — Three Sonatas for the Piano Forte or Harpsichord, with Violin and Violoncello — 6:05 — ST. Gyrowetz, Adalbert — Sonata I in la magg. — 6:05/1 — ST. Gyrowetz, Adalbert — Sonata II in si bem magg. — 6:05/2 — ST. Gyrowetz, Adalbert — Sonata III in mi bem magg. — 6:05/3 — ST. Haigh, Thomas — Sonata I — J7:100 — ST. Haigh, Thomas — Sonata II — J7:104 — ST. Händel, Georg Friedrich — March in Judas Maccabeus — 1:01 — MS. Händel, Georg Friedrich — Minuett in Ariadne — 1:03 — MS. Händel, Georg Friedrich — Susana / Ask if yon damask rose be sweet — 1:10 — MS. Händel, Georg Friedrich — Water Peice [da Water Music] — 1:15 — MS. Händel, Georg Friedrich — Chastity thou Cherub bright [da Susanna] — 1:25 — MS. Händel, Georg Friedrich — Ouverture dal Samson [sezione finale] — 1:30 — MS. Händel, Georg Friedrich — Concerto 2° [dal conc. per organo op. 4 n. 2] — 1:31 — MS. Händel, Georg Friedrich — Hallelujah in the Messiah and Grand Coronation Anthem / Two New Fugues (adapted by John Marsh) — 5:12 — ST. Harington, Henry — How sweet in the Woodlands [Duetto] — 7:30a — ST. Harington, Henry — How sweet in the Woodlands [Song] — 7:30b — ST. Harington(?), Henry — The Egyptian Love Song / Sweet doth blush the rosy morning — 7:31 — MS. Harwood(?), Edward — The Dying Christian to his Soul / Vital spark of heav'nly flame — 7:16 — ST. Hasse, Johann Adolph — Brano non identificato — 1:23 — MS. Hasse, Johann Adolph — Allegro [non identificato] — 1:28 — MS. Haydn, Franz Joseph — A Ballad adapted to English words by T. Billington [dalla sonata per pf Hob. XVI/35] — 3:02 — MS. Haydn, Joseph — Sonata — J3:027 — MS. Hiller, Johann Adam — Love and Wine / Robb'd of love and gen'rous wine — J3:115 — MS. Himmel, Friedrich Heinrich — The Queen of Prussia Waltz — J3:144 — MS. Hinner, Philipp Joseph — Sonate — J4:136 — ST. Holst, Matthias — On ne sauroit trop embellir — J3:140 — MS. Holst, Matthias — The celebrated fairy dance — J7:311 — ST. Hook, James — The Wedding Day / What Virgin or Sheperd in Valley or Grove — 3:24 — MS. Hook, James — Ma chere Amie — 7:01 — ST. Hook, James — Donna Della / When Cupid first his trade began — 7:23 — ST. Howard, Samuel — The Faithfull Shepherdess / At setting day and rising morn — 1:06 — MS. Howard, Samuel — The Chace is o'er and on the plain — 1:21 — MS. Howard, Samuel — The Lass of St Osyth / At St Osyth by the Mill — 1:24 — MS. Jackson, William — When first this humble roof I knew — 7:05 — ST. Jackson, William — Twelve Canzonets for two Voices — 8:01 — ST. Jackson, William — Time has not thin'd my flowing hair [Canzonet I] — 8:01/1 — ST. Jackson, William — The day that saw thy beauty rise [Canzonet II] — 8:01/2 — ST. Jackson, William — From the plains from the Woodlands and Groves [Canzonet III) — 8:01/3 — ST. Jackson, William — Now I know what it is to have strove [Canzonet IV] — 8:01/4 — ST. Jackson, William — Ah, where does my Phillida stray [Canzonet V] — 8:01/5 — ST. Jackson, William — The Pilgrim that journeys alla Day [Canzonet VI] — 8:01/6 — ST. Jackson, William — Take, oh take those lips away [Canzonet VII, parole da Misura per Misura di Shakespeare] — 8:01/7 — ST. Jackson, William — O Venus, hear, O hear my ardent Pray'r [Canzonet VIII] — 8:01/8 — ST. Jackson, William — Do not unbind two gentle hearts [Canzonet IX] — 8:01/9 — ST. Jackson, William — Sad is my day and ling' ring night [Canzonet X] — 8:01/10 — ST. Jackson, William — Ah, what avails thy Lover's Pray'r [Canzonet XI] — 8:01/11 — ST. Jackson, William — Alas from the Day that we met [Canzonet XII] — 8:01/12 — ST. Jansen, Louis Charles — The celebrated dance — J7:333 — ST. Jones, Edward — The Prayer of the Sicilian Mariners / O sanctissima! O piissima dulcis Virgo — 7:32 — MS. Jones, John — Lesson — J3:038 — MS. Kelly, Michael — March in Blue Beard [da Blue Beard or Female Curiosity] — 2:19 — MS. Kelly, Michael — Megan oh oh Mehan ee / Sleep you or wake you lady bright — J3:081 — MS. Kelly, Michael — The Spectre Song / Lullaby Lullaby hush thee my Dear — J3:086 — MS. Kelly, Michael — Music from the oratory while the ghost appears — J3:087 — MS. Kelly, Michael — Jubilate on the ghost's retiring — J3:088 — MS. Kiallmark, George — Robin Adair — J7:206 — ST. King, Matthew Peter — Duke Of York's March — 2:23 — MS. King, Matthew Peter — Sir David Hunter Blair's reel — J7:319 — ST. Kotzwara, František — The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — 4:04 — ST. Kotzwara, František — The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — 6:04 — ST. Krumpholtz, Jan Křtitel (Jean-Baptiste) — Hither love thy beauties bring / Come in all thy bloom of charms — 7:25 — MS. Krumpholtz, Jean-Baptiste — Romance du Concerto en fa / Calme les maux que j'endure — J4:068 — ST. la Codre, Blin de — Air / Le sentiment est au plaisir — J7:406 — ST. Latour, T. — The nightingale — J7:241 — ST. Latour, T. — Lieber Augustine — J7:261 — ST. Latour, T. — Cory Owen — J7:269 — ST. Leeves, Rev. William — Old Robin Gray — 2:29 — MS. Leeves, Rev. William — Why tarries my love? Ah, where does he rove — 7:12 — MS. Le Moyne, Jean-Baptiste — Ouverture des Pretendus — 2:01 — MS. Le Moyne, Jean-Baptiste — Ouverture des Prétendus — J4:064 — ST. Leveridge, Richard — The Tipling Philosophers / Diogenes surly and proud — 7:29 — ST. Linley, Thomas — The Woodman / Stay Traveller, tarry here tonight — 7:17 — ST. Lisle, Claude Joseph Rouget de — The Marseilles March — 3:25 — MS. M. D.(?) — Romance / Ô toi qui fuis ton amie — J4:047 — ST. Marshall, William — Glenviddick — 7:27 — MS. Mazzinghi, Joseph — Le Trois Sultanes — 2:12 — MS. Mazzinghi, Joseph — Sonata — 2:15 — MS. Mazzinghi, Joseph — A medley divertimento — J7:299 — ST. Mazzinghi, Joseph — Air grotesque — J7:303 — ST. Mazzinghi, Joseph — A second air grotesque — J7:307 — ST. Mellish, Miss — My Phillida — 3:19 — MS. Merry, Robert — The Irishman / The Turban'd Turk who scorns the world [da The Picture of Paris] — 3:04 — MS. Meyer, Philippe-Jacques — Thy fatal shafts unerring move — 3:21 — MS. Monsigny, Pierre—Alexandre — For three voices / Ne vous repentez pas mon Pere — J3:089 — MS. Moore, Thomas — Here's the Bower — J3:120 — MS. Mozart, Wolfgang Amadeus [da] — The Duke of York's New March [da Le nozze di Figaro: "Non più andrai"] — 2:18 — MS. Mozart, Wolfgang Amadeus — Deh prendi un dolce amplesso — J3:080 — MS. Naumann, Johann Gottlieb — Vino Vecchio — 7:07 — ST. Paisiello, Giovanni — Filles charmant, jeunes amantes daignez m'apprendre [da Le Roi Théodore à Venise] — 3:16 — MS. Paisiello, Giovanni — For tenderness form'd in Life's early day [da Il barbiere di Siviglia: Saper bramate] — 7:52 — ST. Paisiello, Giovanni — Air du Roi Théodore à Venise — J4:022 — ST. Paisiello, Giovanni — Air de Bon Pere / Non, Jeannette plus d'espoir — J4:048 — ST. Paisiello, Giovanni — Ouverture du Philosophe imaginaire — J4:080 — ST. Paisiello, Giovanni — Ouverture d'Orgon dans la lune — J4:084 — ST. Philidor(?), François André / Duni(?), Romualdo — Ah, que l'amour est chose jolie [Song from La Fée Urgele] — 7:14 — MS. Piccinni, Nicolò — The favorite Overture to La Buona Figliuola — 5:04 — ST. Piccinni, Nicolò — Overture: La Buona Figliuola — 6:02 — ST. Piccinni, Niccolò — Overture to La Buona Figliuola — J3:033 — MS. Piccinni, Niccolò — Pastorale de Roland — J4:056 — ST. Pleyel, Ignace Joseph — Fourteen Favorite Sonatinas for the Harpsichord or Piano Forte — 4:01 — ST. Pleyel, Ignace Joseph — Sonatina I in do magg. — 4:01/1 — ST. Pleyel, Ignace Joseph — Sonatina II in re magg. — 4:01/2 — ST. Pleyel, Ignace Joseph — Sonatina III in fa magg. — 4:01/3 — ST. Pleyel, Ignace Joseph — Sonatina IV in la magg. — 4:01/4 — ST. Pleyel, Ignace Joseph — Sonatina V in sol magg. — 4:01/5 — ST. Pleyel, Ignace Joseph — Sonatina VI in la magg. — 4:01/6 — ST. Pleyel, Ignace Joseph — Sonatina VII in sol magg. — 4:01/7 — ST. Pleyel, Ignace Joseph — Sonatina VIII in la min. — 4:01/8 — ST. Pleyel, Ignace Joseph — Sonatina IX in re magg. — 4:01/9 — ST. Pleyel, Ignace Joseph — Sonatina X in si bem magg. — 4:01/10 — ST. Pleyel, Ignace Joseph — Sonatina XI in fa magg. — 4:01/11 — ST. Pleyel, Ignace Joseph — Sonatina XII in mi bem. magg. — 4:01/12 — ST. Pleyel, Ignace Joseph — Sonatina XIII in do magg. — 4:01/13 — ST. Pleyel, Ignace Joseph — Sonatina XIV in sol magg. — 4:01/14 — ST. Pleyel, Ignace Joseph — Pleyel's celebrated Overture — 4:02 — ST. Pleyel, Ignace Joseph — Pleyel's celebrated Concertante, adapted for the Harpsichord or Piano Forte with Violin — 6:08 — ST. Pleyel, Ignace Joseph — Six Sonatas for the Piano Forte or Harpsichord, with Flute or Violin, and Violoncello — 6:09 — ST. Pleyel, Ignace Joseph — Sonata I in do magg. — 6:09/1 — ST. Pleyel, Ignace Joseph — Sonata II in sol magg. — 6:09/2 — ST. Pleyel, Ignace Joseph — Sonata III in si bem magg. — 6:09/3 — ST. Pleyel, Ignace Joseph — Sonata IV in la magg. — 6:09/4 — ST. Pleyel, Ignace Joseph — Sonata V in mi min. — 6:09/5 — ST. Pleyel, Ignace Joseph — Sonata VI in re magg. — 6:09/6 — ST. Pleyel, Ignace Joseph — Sonata I — J7:111 — ST. Pleyel, Ignace Joseph — Sonata II — J7:124 — ST. Pleyel, Ignace Joseph — Sonata III — J7:136 — ST. Pollet, Benoît — Laisse là sur l'herbette ton chien — 7:18 — MS. Powell, Thomas — My Love she's but a Lassie yet — 2:32 — MS. R., Madame de(?) — Romance / Cruelle! ô toi qui ne veut pas m'entendre — J4:091 — ST. Reading, John — Domum / Concinamus O Sodales! — 7:19 — ST. Relfe, John — Mary's Dream or Sandy's Ghost / The Moon had clim'd the highest hill — 7:04 — ST. Reynolds, Maria Hester — 6 Accompanied sonatas for kbd & violin ad lib. — 6:01 — ST. Reynolds, Maria Hester — Sonata I in do magg. — 6:01/1 — ST. Reynolds, Maria Hester — Sonata II in si bem magg. — 6:01/2 — ST. Reynolds, Maria Hester — Sonata III in mi bem magg. — 6:01/3 — ST. Reynolds, Maria Hester — Sonata IV in sol magg. — 6:01/4 — ST. Reynolds, Maria Hester — Sonata V in re magg. — 6:01/5 — ST. Reynolds, Maria Hester — Sonata VI in mi magg. — 6:01/6 — ST. Rimbault, Stephen Francis — Away with melancholy — J7:195 — ST. Sacchini, Antonio — Overture: Enea e Lavinia — 5:09 — ST. Sacchini, Antonio — Ouverture d'Evélina — J4:008 — ST. Sacchini, Antonio — Air d'OEdipe à Colone — J4:026 — ST. Sacchini, Antonio — Air d'Arvire et Evélina / Du plus jeune des deux — J4:055 — ST. Sampieri, Nicola — Fuga for the Organ or Piano Forte — 6:03 — ST. Sanderson, James — The favorite rondo — J7:315 — ST. Schobert, Johann — Deux Sonates pour le Clavecin avec Violon ad Libitum — 5:03 — ST. Schobert, Johann — Sonata I in re magg. — 5:03/1 — ST. Schobert, Johann — Sonata II (Pastorale) in sol magg. — 5:03/2 — ST. Schobert, Johann — Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — 5:10 — ST. Schobert, Johann — Sonata I in re magg. — 5:10/1 — ST. Schobert, Johann — Sonata II in la magg. — 5:10/2 — ST. Schobert, Johann — Sonata III in fa magg. — 5:10/3 — ST. Schobert, Johann — Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — 6:07 — ST. Schobert, Johann — Sonata I in re magg. — 6:07/1 — ST. Schobert, Johann — Sonata II in la magg. — 6:07/2 — ST. Schobert, Johann — Sonata III in fa magg. — 6:07/3 — ST. Sharp, Benjamin — A divertimento — J7:218 — ST. Shell, Thomas — Morning Hymn / Awake my soul and with the sun — J3:110 — MS. Shield, John — Cross Purposes / Tom lover Mary passing well, but Mary she loves Harry — 1:22 — MS. Shield, William — Her hair is like a golden clue [da Robin Hood] — 3:08 — MS. Shield, William — Sweet transports gentle wishes go in vain [da Rosina] — 3:09 — MS. Shield, William — From night till morn I take my glass — 3:15 — MS. Shield, William — The Heaving of the Lead / For England when with favo'ring gale [da Hartford Bridge] — 3:28 — MS. Shield, William — The Plough Boy / A flaxen headed Cow Boy — 7:11 — ST. Spofforth, Reginald — Ellen, the Richmond Primrose Girl / Near bow'ry Richmond, Thames's pride — 7:26 — MS. Stamitz, Karl — A Duett for two Performers on One Harpsichord or Piano Forte — 5:11/1 — ST. Steibelt, Daniel — Steibelt's 18th Pot Pourri with variations. Air of Guardami un poco — 2:36 — MS. Steibelt, Daniel — The celebrated pollacca — J7:223 — ST. Sterkel, Johann Franz Xaver — Sonata — 2:24 — MS. Sterkel, Johann Franz Xaver — Six Sonatas for the Piano Forte or Harpsichord — 5:01 — ST. Sterkel, Johann Franz Xaver — Sonata I in do magg. — 5:01/1 — ST. Sterkel, Johann Franz Xaver — Sonata II in sol magg. — 5:01/2 — ST. Sterkel, Johann Franz Xaver — Sonata III in fa magg. — 5:01/3 — ST. Sterkel, Johann Franz Xaver — Sonata IV in la magg. — 5:01/4 — ST. Sterkel, Johann Franz Xaver — Sonata V in si bem magg. — 5:01/5 — ST. Sterkel, Johann Franz Xaver — Sonata VI in re magg. — 5:01/6 — ST. Stevenson, John — The favorite overture to the Bedouins — J7:389 — ST. Storace, Stephen — Of plighted faith [da The Siege of Belgrade] — 3:11 — MS. Storace, Stephen — Captivity / My foes prevail my friends are fled — 3:29 — MS. Storace, Stephen — Tho you think by this to vex me [da The Siege of Belgrade] — 7:34 — MS. Storace, Stephen — How provoking your doubts [da Le Siege de Belgrade] — 7:37 — MS. Storace, Stephen — The sapling Oak lost in the dell [da Le Siege de Belgrade] — 7:39 — MS. Vogel, Johann Christoph — Air de Demophon / Ah! que sa tendresse m'est chère! — J4:076 — ST. Vogel, Johann Christoph — Air de Démophon / Hélas! hélas! que ne puis je vous dire — J4:088 — ST. Vogel, Johann Christoph — Air de Demophon / Doux sentiment de la nature — J4:095 — ST. Vogler, Gerard — The Request / Tell Me Babbling Echo — J3:063 — MS. Watlen, John — God save the King, With New Variations — 7:38 — ST. Watlen, John — My Mother / Who fed me from her gentle breast — 7:46 — ST. Watlen, John — Up and war them a' Willie — J7:325 — ST. Watlen, John — Garnovich's reel — J7:329 — ST. Webbe, Samuel — The Mansion of Peace / Soft Zephyr on thy balmy wing — 3:36 — MS. Welsh, Thomas — The Death of Poor Cock Robin / Here, here, here lies Cock Robin dead and cold — J3:100 — MS. Wesley, Samuel — Goosey Goosey Gander, where shall I wander — 7:21 — MS. Woelfl, Joseph — Augustin — J7:273 — ST. Woelfl, Joseph — A favorite polonaise — J7:281 — ST. Zwingmann, Johan Nicolaus — [Aria con variazioni] — J3:147 — MS. Zwingmann, Johan Nicolaus — A favorite sonata — J7:084 — ST.
INDICE PER TITOLO E/O PRIMO VERSO
A Ballad adapted to English words by T. Billington [dalla sonata per pf Hob. XVI/35] — Haydn, Franz Joseph — 3:02 — MS. A divertimento — Sharp, Benjamin — J7:218 — ST. A Duett for two Performers on One Harpsichord or Piano Forte — Stamitz, Karl — 5:11/1 — ST. A Duetto for Two Performers on one Paino Forte or Harpsichord — Giordani, Tommaso — 5:11/2 — ST. A favorite Concerto for the Harpsichord or Piano Forte — Evance, William — 4:03 — ST. A favorite melody — Burbidge, R. — J7:293 — ST. A favorite polonaise — Woelfl, Joseph — J7:281 — ST. A favorite sonata — Zwingmann, Johan Nicolaus — J7:084 — ST. A medley divertimento — Mazzinghi, Joseph — J7:299 — ST. A rondo — Dale, James — J7:407 — ST. A second air grotesque — Mazzinghi, Joseph — J7:307 — ST. A Second Set of Scots Songs for a Voice & Harpsichord — Anonimo — 8:03 — ST. Address to Sleep / Sleep tho' death thou dost resemble — Cartwright, Edmund — J3:108 — MS. Ah, que l'amour est chose jolie [Song from La Fée Urgele] — Philidor(?), François André / Duni(?), Romualdo — 7:14 — MS. Ah, what avails thy Lover's Pray'r [Canzonet XI] — Jackson, William — 8:01/11 — ST. Ah, where does my Phillida stray [Canzonet V] — Jackson, William — 8:01/5 — ST. Air / Le sentiment est au plaisir — la Codre, Blin de — J7:406 — ST. Air d'Arvire et Evélina / Du plus jeune des deux — Sacchini, Antonio — J4:055 — ST. Air de ballet et Rondo — Esch, Louis — J7:174 — ST. Air de Ballets de la Caravane [da La Caravane du Caire] — Grétry, André Ernest Modest — 3:10 — MS. Air de Bon Pere / Non, Jeannette plus d'espoir — Paisiello, Giovanni — J4:048 — ST. Air de Bon Pere / C'qu'est l'plus nécessaire en ménage — Cambini, Giuseppe Maria — J4:075 — ST. Air de Demophon / Ah! que sa tendresse m'est chère! — Vogel, Johann Christoph — J4:076 — ST. Air de Demophon / Doux sentiment de la nature — Vogel, Johann Christoph — J4:095 — ST. Air de Démophon / Hélas! hélas! que ne puis je vous dire — Vogel, Johann Christoph — J4:088 — ST. Air de la Croisée / Le sommeil fuyoit de nos yeux — Cambini, Giuseppe Maria — J4:035 — ST. Air de l'Auteur à la mode / Depuis deux ans, dans ma retraite — Anonimo — J4:036 — ST. Air de la Pastorella Nobile / Ce jour heureux ce moment si prospère — Guglielmi, Pietro Alessandro — J4:100 — ST. Air de la Villanella Rapita / Belle rose d'amourette — Bianchi, Francesco — J4:071 — ST. Air de l'Impresario in Angustie / Je sens mon cœur, près d'Hilas, qui palpite — Cimarosa, Domenico — J4:051 — ST. Air de Philippe et Georgette — Dalayrac, Nicolas-Marie — 7:36 — MS. Air de Raoul de Créqui / Je brule de voir ce château — Dalayrac, Nicolas- Marie(?) — J4:092 — ST. Air de Richard Coeur-de-Lion — Couperin, Armand-Louis — J7:404 — ST. Air des deux Pages / Aimera qui voudra les hommes — Dézede, Nicolas — J4:044 — ST. Air d'OEdipe à Colone — Sacchini, Antonio — J4:026 — ST. Air du Marquis de Tulipano — Anonimo — 3:13 — MS. Air du Roi Théodore à Venise — Paisiello, Giovanni — J4:022 — ST. Air Gai / Que chacun boive à ce qu'il aime — Anonimo — J4:120 — ST. Air Gracieux / Si la Vénus qu'on adorait en Grèce — Anonimo — J4:118 — ST. Air grotesque — Mazzinghi, Joseph — J7:303 — ST. Air Russe — Crotch, Stephen — 7:33 — MS. Air simple / Dans ces beaux lieux avant l'aurore — Anonimo — J4:126 — ST. Air Simple / Ce lieu n'est-il donc plus le même — Anonimo — J4:128 — ST. Air tendre / Dors mon enfant clos ta paupière — Anonimo — J4:132 — ST. Air très simple / Folâtre, cruelle et volage — Anonimo — J4:122 — ST. Air varié — Dufeuille (Blattman), Pierre Philibert — J3:050 — MS. Air with variations — Felton, William — 1:07 — MS. Alas from the Day that we met [Canzonet XII] — Jackson, William — 8:01/12 — ST. Allegro [non identificato] — Hasse, Johann Adolph — 1:28 — MS. Alloa House / The spring time returns — Anonimo — 8:03/25 — ST. Ally Croaker — Arnold, Samuel — J7:199 — ST. Amour, amour, tu te fais bien connaître — Anonimo — J4:116 — ST. Amynta / My sheep I've forsaken — Anonimo — 8:02/21 — ST. An old favorite air — Fischer, Johann Christian — J7:168 — ST. Ann thou were my ain thing — Anonimo — 8:02/12 — ST. [Aria con variazioni] — Johan Nicolaus — J3:147 — Zwingmann, MS. Arietta Veneziano — Cimador(?), Giambattista — 3:26 — MS. As I was walking by yon burnside — Anonimo — 7:42 — MS. At Polwart on the Green — Anonimo — 8:03/2 — ST. Augustin — Woelfl, Joseph — J7:273 — ST. Away with melancholy — Rimbault, Stephen Francis — J7:195 — ST. Begone dull care I prithee begone from me — Anonimo — 3:35 — MS. Bessy Bell & Mary Gray / O Bessy Bell — Anonimo — 8:02/4 — ST. Blathrie o'it / When I think on this warld's pelf — Anonimo — 8:02/2 — ST. Bonny Jean / Love's goddess in a myrtle grove — Anonimo — 8:03/22 — ST. Brano non identificato — Hasse, Johann Adolph — 1:23 — MS. Busk ye, busk ye, my bonny Bride — Anonimo — 8:03/18 — ST. By Pinky House — Anonimo — 8:03/24 — ST. By the gaily circling glass — Arne, Thomas Augustine — J3:061 — MS. Canzonet of Alcanzor and Zayda / Tis in vain Alcanzo's spies surround me — Anonimo — 3:01 — MS. Captivity / My foes prevail my friends are fled — Storace, Stephen — 3:29 — MS. Chanson Bearnoise / Un troubadour bearnois les yeux inondés de larmes — Anonimo — 3:20 — MS. Charlotte au Tombeau de Werther / En proie aux noirs chagrins — Dufeuille (Blattman), Pierre Philibert — J4:012 — ST. Chastity thou Cherub bright [da Susanna] — Händel, Georg Friedrich — 1:25 — MS. Che farò senza Euridice [What alas shall Orpheus do, da Orfeo ed Euridice] — Gluck, Christoph Willibald — 7:48 — ST. Chevy Chase / God prosper long our noble King — Anonimo — 8:03/26 — ST. Cock a doodle doo — Anonimo — J3:103 — MS. Colin and Lucy, English Ballad — Giordani, Tommaso — 8:04 — ST. Collin's Ode on the death of Thompson — Callcott, John Wall — 3:34 — MS. Composed by Mr Felton — Felton, William — 1:13 — MS. Concerto 2° [dal conc. per organo op. 4 n. 2] — Händel, Georg Friedrich — 1:31 — MS. Contented all day I will sit at your side [da The Chaplet] — Boyce, William — 1:04 — MS. Coolun with Variations — Anonimo — 2:22 — MS. Corn Riggs / My Patie is a lover gay — Anonimo — 8:02/19 — ST. Cory Owen — Latour, T. — J7:269 — ST. Cossack Dance — Anonimo — 7:41 — MS. Cross Purposes / Tom lover Mary passing well, but Mary she loves Harry — Shield, John — 1:22 — MS. Cymon and Iphigenia / Near a thick grove whose deep embow'ring shade — Arne, Thomas Augustine — 7:06 — ST. Deh prendi un dolce amplesso — Mozart, Wolfgang Amadeus — J3:080 — MS. Deux Sonates pour le Clavecin avec Violon ad Libitum — Schobert, Johann — 5:03 — ST. Dickery Dickery dock — Anonimo — J3:097 — MS. Do not unbind two gentle hearts [Canzonet IX] — Jackson, William — 8:01/9 — ST. Domum / Concinamus O Sodales! — Reading, John — 7:19 — ST. Donald O Cready, or Murdoch O Rouck — Dale, Joseph — J7:413b — ST. Donna Della / When Cupid first his trade began — Hook, James — 7:23 — ST. Down the Burn Davie / When trees did bud — Anonimo — 8:02/25 — ST. Duke Of York's March — King, Matthew Peter — 2:23 — MS. Dumbarton's Drums — Anonimo — 8:03/5 — ST. D'une cruelle indifférence — Anonimo — J4:113 — ST. Ellen, the Richmond Primrose Girl / Near bow'ry Richmond, Thames's pride — Spofforth, Reginald — 7:26 — MS. Epitaph / Forgive blest shade the tributary tear — Callcott, John Wall — J3:062 — MS. Eveleen Bow'r — Irish Melody / Oh! weep for the hour when to Eveleen's Bow'r — Anonimo — J3:130 — MS. Faint and weary the way-worn traveller plods uncheerily [da The Mountaineers] — Arnold, Samuel James — 3:33 — MS. Fandango. É Los Gigangas from Thicknesse's Tour — Anonimo — 2:02 — MS. Fanny Fair / To Fanny fair — Anonimo — 8:02/29 — ST. Farewell to Lochaber — Anonimo — 8:03/12 — ST. Fee him Father / Saw ye Johnie cummin — Anonimo — 8:02/6 — ST. Filles charmant, jeunes amantes daignez m'apprendre [da Le Roi Théodore à Venise] — Paisiello, Giovanni — 3:16 — MS. Fly not yet / Fly not yet, 'tis just the hour — Anonimo — J3:126 — MS. For tenderness form'd in Life's early day [da Il barbiere di Siviglia: Saper bramate] — Paisiello, Giovanni — 7:52 — ST. For the laik-lake of gold she left me — Anonimo — 8:02/17 — ST. For three voices / Ne vous repentez pas mon Pere — Monsigny, Pierre—Alexandre — J3:089 — MS. Fourteen Favorite Sonatinas for the Harpsichord or Piano Forte — Pleyel, Ignace Joseph — 4:01 — ST. Free mason's song / Come Brothers sing with me — Anonimo — J3:114 — MS. From night till morn I take my glass — Shield, William — 3:15 — MS. From the plains from the Woodlands and Groves [Canzonet III) — Jackson, William — 8:01/3 — ST. Fuga for the Organ or Piano Forte — Sampieri, Nicola — 6:03 — ST. Gallow Sheils / Ah, the poor Sheperd's mournful fate — Anonimo — 8:03/1 — ST. Garnovich's reel — Watlen, John — J7:329 — ST. German Waltz — Anonimo — 2:20 — MS. German Waltz — Anonimo — 2:21 — MS. Gilder Roy — Anonimo — 8:02/9 — ST. Gill Morice was an erle's son — Anonimo — 8:02/30 — ST. Glenviddick — Marshall, William — 7:27 — MS. Go and on my truth relying comfort to your cares apllying [da Lionel and Clarissa] — Dibdin(?), Charles — 3:06 — MS. God save the King, With New Variations — Watlen, John — 7:38 — ST. God Save the King — Anonimo — J3:020 — MS. Goosey Goosey Gander, where shall I wander — Wesley, Samuel — 7:21 — MS. Greig's pipes — Dale, Joseph — J7:414c — ST. Hallelujah in the Messiah and Grand Coronation Anthem / Two New Fugues (adapted by John Marsh) — Händel, Georg Friedrich — 5:12 — ST. Her hair is like a golden clue [da Robin Hood] — Shield, William — 3:08 — MS. Here awa there awa — Anonimo — 8:03/8 — ST. Here's the Bower — Moore, Thomas — J3:120 — MS. Hey, Jenny, come to Jock / Jocky he came here to woo — Anonimo — 8:02/24 — ST. Hindoo Girl's Song / Tis thy will, and I must leave thee — Biggs, Edward Smith — J3:132 — MS. Hither love thy beauties bring / Come in all thy bloom of charms — Krumpholtz, Jan Křtitel (Jean-Baptiste) — 7:25 — MS. Hooly and fairly / Oh! What had I ado for to marry — Anonimo — 8:02/10 — ST. How gentle was my Damons air — Arne, Thomas Augustine — J3:057 — MS. How imperfect is expression — Anonimo — 7:09 — ST. How provoking your doubts [da Le Siege de Belgrade] — Storace, Stephen — 7:37 — MS. How sweet in the Woodlands [Duetto] — Harington, Henry — 7:30a — ST. How sweet in the Woodlands [Song] — Harington, Henry — 7:30b — ST. Hushaby baby upon the tree top — Anonimo — J3:101 — MS. I ha'e laid a herring in Salt — Anonimo — 7:02 — MS. I have a silent sorrow here [Song for The Stranger] — Devonshire, Georgiana Cavendish Duchess of — 7:13 — MS. I that once was a ploughman a sailor now am — Dibdin, Charles — 3:22 — MS. I wish my love were in a Mire / Blest as the immortal gods is he — Anonimo — 8:03/4 — ST. I'll never leave thee / One day I heard Mary say — Anonimo — 8:02/26 — ST. In airy dreams soft fancy flies [Duett] — Anonimo — 7:03b — ST. In airy dreams soft fancy flies [Song] — Anonimo — 7:03a — ST. In the Dead of the Night — Arnold, Samuel — J3:129 — MS. Irish Air / Lost, lost, lost is my quiet for ever — Anonimo — J3:105 — MS. Jessy or The Happy Pair / How blest my time has been — Anonimo — 1:20 — MS. Joan said to John — Atterbury, Luffman — 3:17 — MS. Jockey / I'll sing to my lover all night and all day — Anonimo — 1:11 — MS. Jockey and Jenny / Stern winter has left us ye trees are in bloom — Baildon, Joseph — 1:08 — MS. John Hay's bonny Lassie / By smooth winding Tay — Anonimo — 8:03/19 — ST. Jubilate on the ghost's retiring — Kelly, Michael — J3:088 — MS. Juvenile Amusement / There was a man in Sicily] — Anonimo — 7:15(a) — ST. Juvenile Amusement / There was an old woman, and what do you think] — Anonimo — 7:15(b) — ST. Katharine Ogie / As walking forth to view the plain — Anonimo — 8:02/1 — ST. La colombe retrouvée — Esch, Louis — J7:191 — ST. La danse n'est pas ce que j'aime mai c'est la fille [da Richard Coeur de Lion] — Grétry, André Ernest Modest — 3:18 — MS. La Fille de Brussels — Dale, Joseph — J7:411b — ST. La Ridicule — Dale, Joseph — J7:414a — ST. La Romanella — Dale, Joseph — J7:412b — ST. La Rose - Cotillon — Anonimo — 2:26 — MS. Laisse là sur l'herbette ton chien — Pollet, Benoît — 7:18 — MS. Le Pauvre Jacques. Chanson /Pauvre Jacques, quand j'étois près de toi — Anonimo — J4:099 — ST. Le Trois Sultanes — Mazzinghi, Joseph — 2:12 — MS. Lesson — Jones, John — J3:038 — MS. Lewie Gordon — Butler, Thomas Hamly — J7:214 — ST. Lieber Augustine — Latour, T. — J7:261 — ST. Lotharia / Vainly now ye strive to charm me — Arne, Thomas Augustine — 1:09 — MS. Love and Wine / Robb'd of love and gen'rous wine — Hiller, Johann Adam — J3:115 — MS. Love is the cause of my mourning / By a murmering stream — Anonimo — 8:03/7 — ST. Love my Mary dwells with thee — Anonimo — J3:117 — MS. Love never more shall give me pain — Anonimo — 1:14 — MS. Low down in the Broom / My daddy is a canker'd carle — Anonimo — 8:02/7 — ST. Ma chere Amie — Hook, James — 7:01 — ST. March — Anonimo — 2:30 — MS. March by Mr Meyer — Anonimo — 2:09 — MS. March in Blue Beard [da Blue Beard or Female Curiosity] — Kelly, Michael — 2:19 — MS. March in Judas Maccabeus — Händel, Georg Friedrich — 1:01 — MS. Marshal Sax's Minuet — Anonimo — 1:29 — MS. Mary Scot / Happy's love — Anonimo — 8:03/16 — ST. Mary's Dream or Sandy's Ghost / The Moon had clim'd the highest hill — Relfe, John — 7:04 — ST. Megan oh oh Mehan ee / Sleep you or wake you lady bright — Kelly, Michael — J3:081 — MS. Minuett — Anonimo — 1:02 — MS. Minuett — Anonimo — 1:33 — MS. Minuett in Ariadne — Händel, Georg Friedrich — 1:03 — MS. Morning Hymn / Awake my soul and with the sun — Shell, Thomas — J3:110 — MS. Mrs Hamilton of Princaitland's Strathspey — Nathaniel Gow — 2:05 — MS. Music from the oratory while the ghost appears — Kelly, Michael — J3:087 — MS. My ain kind Dearie — Corri, Domenico — 2:33 — MS. My deary, an't thou die / Love never more shall give me pain — Anonimo — 8:03/11 — ST. My Lodging is on the could ground — Corri, Domenico — 2:31 — MS. My Love she's but a Lassie yet — Powell, Thomas — 2:32 — MS. My Mother / Who fed me from her gentle breast — Watlen, John — 7:46 — ST. My Nanny-O / While some for pleasure pawn their breath — Anonimo — 8:03/14 — ST. My Phillida — Mellish, Miss — 3:19 — MS. Nos Galen — Anonimo — 2:04 — MS. Nothing — Dale, Joseph — J7:412c — ST. Now I know what it is to have strove [Canzonet IV] — Jackson, William — 8:01/4 — ST. Nymphs and Sheperds — Arne, Thomas Augustine — 7:49 — ST. O Nanny / Oh! Nanny wilt thou fly from me — Carter, Charles Thomas — 3:03 — MS. O Venus, hear, O hear my ardent Pray'r [Canzonet VIII] — Jackson, William — 8:01/8 — ST. O Waly waly — Anonimo — 8:03/10 — ST. Of plighted faith [da The Siege of Belgrade] — Storace, Stephen — 3:11 — MS. Oh Giovinetti / Oh Giovinetti innamorati — Anonimo — J3:122 — MS. Oh Susan Susan lovely dear — Anonimo — 7:43 — ST. Oh Susan, Susan lovely dear — Anonimo — 7:10 — ST. Old Robin Gray — Leeves, Rev. William — 2:29 — MS. On Etrick Banks — Anonimo — 8:03/6 — ST. On ne sauroit trop embellir — Holst, Matthias — J3:140 — MS. On ye Tay's verdant banks a fair maid lay reclined — Anonimo — 1:16 — MS. Ouverture dal Samson [sezione finale] — Händel, Georg Friedrich — 1:30 — MS. Ouverture de Clitandre et Céphise — Chardiny, Louis-Claude-Armand — J4:032 — ST. Ouverture de Renaud d'Ast — Dalayrac, Nicolas-Marie — 2:03 — MS. Ouverture de Renaud d'Ast — Dalayrac, Nicolas-Marie — J4:059 — ST. Ouverture des Pretendus — Le Moyne, Jean-Baptiste — 2:01 — MS. Ouverture des Prétendus — Le Moyne, Jean-Baptiste — J4:064 — ST. Ouverture d'Evélina — Sacchini, Antonio — J4:008 — ST. Ouverture d'Orgon dans la lune — Paisiello, Giovanni — J4:084 — ST. Ouverture du Philosophe imaginaire — Paisiello, Giovanni — J4:080 — ST. Ouverture du Rival Confident — Grétry, André-Ernest-Modeste — J4:040 — ST. Overture to Artaxerxes — Arne, Thomas Augustine — 2:37 — MS. Overture: Enea e Lavinia — Sacchini, Antonio — 5:09 — ST. Overture: I Viaggiatori Felici — Anfossi, Pasquale — 5:08 — ST. Overture: Il Convito — Bertoni, Ferdinando — 5:06 — ST. Overture: Il Trionfo della Constanza — Anfossi, Pasquale — 5:07 — ST. Overture: La Buona Figliuola — Piccinni, Nicolò — 6:02 — ST. Overture to La Buona Figliuola — Piccinni, Niccolò — J3:033 — MS. Overture: Medonte — Bertoni, Ferdinando — 5:05 — ST. Paddy O Carroll — Dale, Joseph — J7:411a — ST. Pas de cinque — Fiorillo, Federigo — J7:347 — ST. Pas de deux — Fiorillo, Federigo — J7:350 — ST. Pas de trois — Guglielmi, Pietro Carlo — J7:341 — ST. Pastorale de Roland — Piccinni, Niccolò — J4:056 — ST. Pastorale et gigue — Esch, Louis — J7:184 — ST. Pauvre Jacques / Quand j'étais pres de toi — Anonimo — 7:44 — MS. Peatie's Mill / The lass of Peaty's mill — Anonimo — 8:02/5 — ST. Peggy I must love thee / As from a rock, past all relief — Anonimo — 8:02/27 — ST. Pleyel's celebrated Concertante, adapted for the Harpsichord or Piano Forte with Violin — Pleyel, Ignace Joseph — 6:08 — ST. Pleyel's celebrated Overture — Pleyel, Ignace Joseph — 4:02 — ST. Plus ne veux jamais m'engager — Anonimo — 3:07 — MS. Polonese Russe — Anonimo — 2:35 — MS. Poor Orra tink of Yanko dear — Dibdin, Charles — 7:50 — ST. Pot-pourri — Dufeuille (Blattman), Pierre Philibert — J4:016 — ST. Quand je vais au bois seulette — Anonimo — J4:124 — ST. Quartetto I in fa magg. — Davaux, Jean-Baptiste — 5:02/1 — ST. Quartetto II in do magg. — Davaux, Jean-Baptiste — 5:02/2 — ST. Quartetto III in fa magg. — Davaux, Jean-Baptiste — 5:02/3 — ST. Quartetto IV in re magg. — Davaux, Jean-Baptiste — 5:02/4 — ST. Quartetto V in la magg. — Davaux, Jean-Baptiste — 5:02/5 — ST. Quartetto VI inmi bem magg. — Davaux, Jean-Baptiste — 5:02/6 — ST. Queen Mary's Lamentation / I sigh and lament me in vain, these walls can but echo my woes — Giordani(?), Tommaso — 3:30 — MS. Regrets de Pétrarque / Séparé pour toujours de celle qu'il aimoit — Dufeuille (Blattman), Pierre Philibert — J4:027 — ST. Rhenish Wine / With ivy crown'd behold — Anonimo — J3:116 — MS. Robin Adair — Kiallmark, George — J7:206 — ST. Romance / Astre charmant ami des belles — Anonimo — J4:107 — ST. Romance / Cherchez au loin de faux plaisirs — Anonimo — J4:110 — ST. Romance / Cruelle! ô toi qui ne veut pas m'entendre — R., Madame de(?) — J4:091 — ST. Romance / Lise voudroit se rendre — Anonimo — J4:014 — ST. Romance / Ô toi qui fuis ton amie — M. D.(?) — J4:047 — ST. Romance / Ô volupté! toi que j'encence — Chapelle(?) — J4:024 — ST. Romance / Que j'aime à voir les hirondelles — Devienne, François — J4:043 — ST. Romance de Raoul de Créqui / De vos bontés, de son amour — Dalayrac, Nicolas-Marie(?) — J4:087 — ST. Romance du Concerto en fa / Calme les maux que j'endure — Krumpholtz, Jean-Baptiste — J4:068 — ST. Romance du Major André — Anonimo — 7:35 — MS. Romance très simple La Rose Enlevée / Hier assis près d'un ormeau — Anonimo — J4:130 — ST. Rondeau — Garth, John — J3:040 — MS. Rosline Castle / Twas in that season of the year — Anonimo — 8:03/23 — ST. Sad is my day and ling' ring night [Canzonet X] — Jackson, William — 8:01/10 — ST. Sae merry as we hae been / A lass that was leaden'd with care — Anonimo — 8:03/9 — ST. Saw ye nae my Peggy — Anonimo — 8:03/21 — ST. Seaton Clifts / To thy clifts, Rocky Seaton, adieu — Anonimo — J3:106 — MS. See saw saccaradown — Anonimo — J3:099 — MS. Scotch Air — Anonimo — 2:10 — MS. Senza titolo — Anonimo — 1:32 — MS. Senza titolo — Anonimo — 1:34 — MS. Senza titolo — Anonimo — 2:13 — MS. Senza titolo — Anonimo — 2:14 — MS. Senza titolo — Anonimo — 7:08 — MS. Senza titolo — Anonimo — 7:24 — MS. She rose and loot me in / The night her silent sable wore — Anonimo — 8:02/11 — ST. She's over young to marry yet — Dale, Joseph — J7:414b — ST. Since then I'm doom'd this sad reverse to prove — Baudron, Antoine Laurent — 7:40 — MS. Sinfonia da The Chaplet (secondo movimento] — Boyce, William — 1:12 — MS. Sir David Hunter Blair's reel — King, Matthew Peter — J7:319 — ST. 6 Accompanied sonatas for kbd & violin ad lib. — Reynolds, Maria Hester — 6:01 — ST. Six Favourite Quartetto's by Davaux, adapted for the Harpsichord with Violin and Tenor — Davaux, Jean-Baptiste — 5:02 — ST. Six Sonatas for the Harpsichord or Forte Piano with Violin and Bass ad libitum — Eichner, Ernst — 6:06 — ST. Six Sonatas for the Piano Forte or Harpsichord — Sterkel, Johann Franz Xaver — 5:01 — ST. Six Sonatas for the Piano Forte or Harpsichord, with Flute or Violin, and Violoncello — Pleyel, Ignace Joseph — 6:09 — ST. Sonata — Mazzinghi, Joseph — 2:15 — MS. Sonata — Sterkel, Johann Franz Xaver — 2:24 — MS. Sonata — Cramer, Johann Baptist — J7:151 — ST. Sonata I — Bach, Johann Christian — J7:044 — ST. Sonata I — Haigh, Thomas — J7:100 — ST. Sonata I — Pleyel, Ignace Joseph — J7:111 — ST. Sonata I in do magg. — Sterkel, Johann Franz Xaver — 5:01/1 — ST. Sonata I in do magg. — Reynolds, Maria Hester — 6:01/1 — ST. Sonata I in do magg. — Pleyel, Ignace Joseph — 6:09/1 — ST. Sonata I in la magg. — Gyrowetz, Adalbert — 6:05/1 — ST. Sonata I in la magg. — Eichner, Ernst — 6:06/1 — ST. Sonata I in re magg. — Schobert, Johann — 5:03/1 — ST. Sonata I in re magg. — Schobert, Johann — 5:10/1 — ST. Sonata I in re magg. — Schobert, Johann — 6:07/1 — ST. Sonata II — Bach, Johann Christian — J7:050 — ST. Sonata II — Haigh, Thomas — J7:104 — ST. Sonata II — Pleyel, Ignace Joseph — J7:124 — ST. Sonata II (Pastorale) in sol magg. — Schobert, Johann — 5:03/2 — ST. Sonata II in la magg. — Schobert, Johann — 5:10/2 — ST. Sonata II in la magg. — Schobert, Johann — 6:07/2 — ST. Sonata II in si bem magg. — Reynolds, Maria Hester — 6:01/2 — ST. Sonata II in si bem magg. — Gyrowetz, Adalbert — 6:05/2 — ST. Sonata II in si bem magg. — Eichner, Ernst — 6:06/2 — ST. Sonata II in sol magg. — Sterkel, Johann Franz Xaver — 5:01/2 — ST. Sonata II in sol magg. — Pleyel, Ignace Joseph — 6:09/2 — ST. Sonata III — Bach, Johann Christian — J7:056 — ST. Sonata III — Pleyel, Ignace Joseph — J7:136 — ST. Sonata III in fa magg. — Sterkel, Johann Franz Xaver — 5:01/3 — ST. Sonata III in fa magg. — Schobert, Johann — 5:10/3 — ST. Sonata III in fa magg. — Schobert, Johann — 6:07/3 — ST. Sonata III in mi bem magg. — Reynolds, Maria Hester — 6:01/3 — ST. Sonata III in mi bem magg. — Gyrowetz, Adalbert — 6:05/3 — ST. Sonata III in mi bem magg. — Eichner, Ernst — 6:06/3 — ST. Sonata III in si bem magg. — Pleyel, Ignace Joseph — 6:09/3 — ST. Sonata IV — Bach, Johann Christian — J7:062 — ST. Sonata IV in la magg. — Sterkel, Johann Franz Xaver — 5:01/4 — ST. Sonata IV in la magg. — Pleyel, Ignace Joseph — 6:09/4 — ST. Sonata IV in re magg. — Eichner, Ernst — 6:06/4 — ST. Sonata IV in sol magg. — Reynolds, Maria Hester — 6:01/4 — ST. Sonata V — Bach, Johann Christian — J7:068 — ST. Sonata V in mi min. — Pleyel, Ignace Joseph — 6:09/5 — ST. Sonata V in re magg. — Reynolds, Maria Hester — 6:01/5 — ST. Sonata V in si bem magg. — Sterkel, Johann Franz Xaver — 5:01/5 — ST. Sonata V in sol magg. — Eichner, Ernst — 6:06/5 — ST. Sonata VI — Bach, Johann Christian — J7:074 — ST. Sonata VI in fa min. — Eichner, Ernst — 6:06/6 — ST. Sonata VI in mi magg. — Reynolds, Maria Hester — 6:01/6 — ST. Sonata VI in re magg. — Sterkel, Johann Franz Xaver — 5:01/6 — ST. Sonata VI in re magg. — Pleyel, Ignace Joseph — 6:09/6 — ST. Sonata — Haydn, Joseph — J3:027 — MS. Sonate — Hinner, Philipp Joseph — J4:136 — ST. Sonate — Adam, Louis — J7:399 — ST. Sonatina I in do magg. — Pleyel, Ignace Joseph — 4:01/1 — ST. Sonatina II in re magg. — Pleyel, Ignace Joseph — 4:01/2 — ST. Sonatina III in fa magg. — Pleyel, Ignace Joseph — 4:01/3 — ST. Sonatina IV in la magg. — Pleyel, Ignace Joseph — 4:01/4 — ST. Sonatina IX in re magg. — Pleyel, Ignace Joseph — 4:01/9 — ST. Sonatina V in sol magg. — Pleyel, Ignace Joseph — 4:01/5 — ST. Sonatina VI in la magg. — Pleyel, Ignace Joseph — 4:01/6 — ST. Sonatina VII in sol magg. — Pleyel, Ignace Joseph — 4:01/7 — ST. Sonatina VIII in la min. — Pleyel, Ignace Joseph — 4:01/8 — ST. Sonatina X in si bem magg. — Pleyel, Ignace Joseph — 4:01/10 — ST. Sonatina XI in fa magg. — Pleyel, Ignace Joseph — 4:01/11 — ST. Sonatina XII in mi bem. magg. — Pleyel, Ignace Joseph — 4:01/12 — ST. Sonatina XIII in do magg. — Pleyel, Ignace Joseph — 4:01/13 — ST. Sonatina XIV in sol magg. — Pleyel, Ignace Joseph — 4:01/14 — ST. Sound Argoment / We bipeds made up of frail clay — Dibdin, Charles — 7:22 — ST. Sous un berceau de jasmin trouver une belle endormi — Grétry(?), André Ernest Modest — 3:14 — MS. Steibelt's 18th Pot Pourri with variations. Air of Guardami un poco — Steibelt, Daniel — 2:36 — MS. Sure t'would make a dismal story [da Fire and Water] — Arnold, Samuel James — 7:45 — ST. Susana / Ask if yon damask rose be sweet — Händel, Georg Friedrich — 1:10 — MS. Sweet Echo, sweetest Nymph — Arne, Thomas Augustine — J3:059 — MS. Sweet transports gentle wishes go in vain — Shield, William — 3:09 — MS. Tak your auld clock about ye / In winter when the rain rain'd cauld — Anonimo — 8:02/13 — ST. Take, oh take those lips away [Canzonet VII, parole da Misura per Misura di Shakespeare] — Jackson, William — 8:01/7 — ST. Tekeli — Dale, Joseph — J7:413a — ST. Tell tale tit — Anonimo — J3:104 — MS. The Ass / Push about the brisk bowl [da The Chaplet] — Boyce, William — 1:05 — MS. The Austrian Grenadier's quick March — Anonimo — 2:06 — MS. The Austrian Retreat — Anonimo — 2:11 — MS. The Babes in the Wood / When a Child on the knee — Anonimo — J3:096 — MS. The Bachelor's Hall / To Bachelor's hall we good fellows invite — Dibdin, Charles — 7:47 — ST. The Banks of Forth / Ye Sylvan powers — Anonimo — 8:03/3 — ST. The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — Kotzwara, František — 4:04 — ST. The Battle of Prague. Sonata fort the Piano Forte or Harpsichord — Kotzwara, František — 6:04 — ST. The Birks of Invernay / The smiling morn, the breathing spring — Anonimo — 8:02/3 — ST. The Boatman / Ye gales that gently wave the sea — Anonimo — 8:02/14 — ST. The bonniest Lass in a' the Warld / Look where my dear Hamillia — Anonimo — 8:03/20 — ST. The Broom of the Cowdenknows / How blyth was I each morn to see — Anonimo — 8:02/20 — ST. The Bush aboun Tranquair / Hear me, ye nymphs and ev'ry swain — Anonimo — 8:02/18 — ST. The celebrated dance — Jansen, Louis Charles — J7:333 — ST. The celebrated fairy dance — Holst, Matthias — J7:311 — ST. The celebrated pollacca — Steibelt, Daniel — J7:223 — ST. The Chace is o'er and on the plain — Howard, Samuel — 1:21 — MS. The Chosen Few — Anonimo — 7:28 — MS. The day that saw thy beauty rise [Canzonet II] — Jackson, William — 8:01/2 — ST. The Death of Poor Cock Robin / Here, here, here lies Cock Robin dead and cold — Welsh, Thomas — J3:100 — MS. The Duke of York's New March [da Le nozze di Figaro: "Non più andrai"] — Mozart, Wolfgang Amadeus [da] — 2:18 — MS. The Dying Christian to his Soul / Vital spark of heav'nly flame — Harwood(?), Edward — 7:16 — ST. The Egyptian Love Song / Sweet doth blush the rosy morning — Harington(?), Henry — 7:31 — MS. The Faithfull Shepherdess / At setting day and rising morn — Howard, Samuel — 1:06 — MS. The favorite Overture to La Buona Figliuola — Piccinni, Nicolò — 5:04 — ST. The favorite overture to the Bedouins — Stevenson, John — J7:389 — ST. The favorite pas de seul — Bishop, Henry Rowley — J7:337 — ST. The favorite rondo — Sanderson, James — J7:315 — ST. The Gloucester Waltz on Ly Caroline Lee — Anonimo — 2:25 — MS. The Heaving of the Lead / For England when with favo'ring gale [da Hartford Bridge] — Shield, William — 3:28 — MS. The Highland Laddie / The Lowlands lads — Anonimo — 8:03/17 — ST. The Irishman / The Turban'd Turk who scorns the world [da The Picture of Paris] — Merry, Robert — 3:04 — MS. The Joys of the Country / Let Bucks and let Bloods to praise London agree [da The Wags] — Dibdin, Charles — 3:05 — MS. The Lamplighter / I'm jolly Dick, the Lamplighter — Dibdin, Charles — 7:20 — ST. The Lass of St Osyth / At St Osyth by the Mill — Howard, Samuel — 1:24 — MS. The last Time I came o'er the Moor — Anonimo — 8:02/8 — ST. The London March — Anonimo — 2:08 — MS. The Maltese — Dale, Joseph — J7:411c — ST. The Mansion of Peace / Soft Zephyr on thy balmy wing — Webbe, Samuel — 3:36 — MS. The Marseilles March — Lisle, Claude Joseph Rouget de — 3:25 — MS. The Match Girl / Come buy of poor May good matches — Anonimo — 3:37 — MS. The New Waltz — Dale, Joseph — J7:413c — ST. The Nightingale — Anonimo — 2:34 — MS. The nightingale — Latour, T. — J7:241 — ST. The Perigordine — Anonimo — 2:27 — MS. The Pilgrim that journeys alla Day [Canzonet VI] — Jackson, William — 8:01/6 — ST. The Plough Boy / A flaxen headed Cow Boy — Shield, William — 7:11 — ST. The poor little Gypsey / A poor little gypsey I wander forlorn — Arnold, Samuel James — 3:31 — MS. The Prayer of the Sicilian Mariners / O sanctissima! O piissima dulcis Virgo — Jones, Edward — 7:32 — MS. The Queen of Prussia Waltz — Himmel, Friedrich Heinrich — J3:144 — MS. The Request / Tell Me Babbling Echo — Vogler, Gerard — J3:063 — MS. The sapling Oak lost in the dell [da Le Siege de Belgrade] — Storace, Stephen — 7:39 — MS. The Soger Laddie / My Soger Laddie is over the seas and he will bring gold and money to me — Anonimo — 1:26 — MS. The Soldier's Adieu / Adieu, adieu my only life my honour calls me from thee [da The Wags] — Dibdin, Charles — 3:12 — MS. The Spectre Song / Lullaby Lullaby hush thee my Dear — Kelly, Michael — J3:086 — MS. The Tipling Philosophers / Diogenes surly and proud — Leveridge, Richard — 7:29 — ST. The Wedding Day / What Virgin or Sheperd in Valley or Grove — Hook, James — 3:24 — MS. The Woodman / Stay Traveller, tarry here tonight — Linley, Thomas — 7:17 — ST. The Wreath you wove — Anonimo — J3:124 — MS. The yellow hair'd laddy / In April, when primroses — Anonimo — 8:02/23 — ST. The Young Gentleman's Retreat — Anonimo — 1:27 — MS. The young May Moon — Anonimo — J3:145 — MS. There Nancy's to the green Wood gane — Anonimo — 8:02/15 — ST. There's my thumb / Betty early gone a-maying — Anonimo — 8:02/22 — ST. Think your tawny moor is true pretty Agnes [da The Mountaineers] — Arnold, Samuel James — 3:23 — MS. Thirty Scots Song for a Voice & Harpsichord — Anonimo — 8:02 — ST. Tho you think by this to vex me [da The Siege of Belgrade] — Storace, Stephen — 7:34 — MS. Three Sonatas for the Piano Forte or Harpsichord, with Violin and Violoncello — Gyrowetz, Adalbert — 6:05 — ST. Throw the Wood laddie / O Sandy, why leaves thou thy Nellie — Anonimo — 8:03/13 — ST. Thy fatal shafts unerring move — Meyer, Philippe-Jacques — 3:21 — MS. Time has not thin'd my flowing hair [Canzonet I] — Jackson, William — 8:01/1 — ST. To ease his heart: The Spinning Wheel [The Scotch Air in the Overture to Thomas and Sally] — Arne, Thomas Augustine — 7:51 — ST. To Fair Fidele's Grassy Tomb — Anonimo — 2:28 — MS. To, to, carabo' — Dussek, Johann Ladislaus — J7:231 — ST. Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — Schobert, Johann — 5:10 — ST. Trois Sinfonies pour le Clavecin avec Violon et deux Cornes de Chasse ad libitum — Schobert, Johann — 6:07 — ST. Troop of the Coldstream Regiment of Guards — Anonimo — 2:07 — MS. Tweed Side / What beauties does Flora disclose — Anonimo — 8:02/16 — ST. Twelve Canzonets for two Voices — Jackson, William — 8:01 — ST. Up and war them a' Willie — Watlen, John — J7:325 — ST. Up and war them a' Willie — Dale, Joseph — J7:412a — ST. Venetian Ballade / Spazza camin che va criando va criando il suo mestier — Anonimo — J3:128 — MS. Viens que j'examine cette mine — Anonimo — 1:19 — MS. Vino Vecchio — Naumann, Johann Gottlieb — 7:07 — ST. Waltz — Anonimo — 2:16 — MS. Waltz — Anonimo — 2:17 — MS. Waltz 1st — Clementi, Muzio — J3:011 — MS. Waltz 2 — Clementi, Muzio — J3:016 — MS. Waltz 5th — Clementi, Muzio — J3:014 — MS. Water Peice [da Water Music] — Händel, Georg Friedrich — 1:15 — MS. Were I obliged to beg my bread and had not where to lay my head — Anonimo — 3:27 — MS. When Apollo shall tune ye lyre — Anonimo — 1:18 — MS. When first this humble roof I knew — Jackson, William — 7:05 — ST. When the hollow drum has beat to bed [da The Mountaineers] — Arnold, Samuel James — 3:32 — MS. When you ask me to sing — Anonimo — 1:17 — MS. Why tarries my love? Ah, where does he rove — Leeves, Rev. William — 7:12 — MS. Woe's my heart / With broken words & downcast eyes — Anonimo — 8:02/28 — ST. Young Philander — Anonimo — 8:03/15 — ST.
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